SMITHSONIAN INSTITUTION

rete

Freer Gallery of Art Washington, 0, C.

Bee

¢ jit ja

een — Ey

oe ES §

PLAN OF FIRST FLOOR

The parts in color denote the exhibition galleries and halls of the Department of Fine Arts

PLAN OF SECOND FLOOR

PLAN OF THIRD FLOOR

pees

oa Sat

Fie) Gs

et,

¥

ee) i

Seal eile ee : ail . fa. lg

~ ATALOGUE OF THE FOUR- /TEENTH ANNUAL EXHIBI- TION AT THE CARNEGIE INSTITUTE, MAY SECOND THROUGH JUNE THIR-

) TIETH, NINETEEN HUN- DRED AND TEN

pa CARNEGIES, STS ART GALLERIES NS

SOP ==,

UPITTSBURGH, PAT UB AS EISEN

Ae

FINE ARTS COMMITTEE

JOSEPH R. WOODWELL

Chairman WILLIAM N. FREW A. BRYAN WALL

WILLIAM McCONWAY E. M. BIGELOW DURBIN HORNE

A. C, MAGILL

GEORGE E. SHAW

DIRECTOR OF FINE ARTS

JOHN W. BEATTY, M. A.

TRUSTEES

WILLIAM N. FREY, President JOHN D. SHAFER, Vice President JAMES H. REED, Treasurer SAMUEL H. CHURCH, Secretary

Albert J. Barr George W. Baum Edward M. Bigelow Dr. F, C. Blessing John A. Brashear Joseph Buffington Samuel H. Church George H. Clapp Josiah Cohen

F, H. Colhouer

A. C. Dinkey

A. J. Edwards Mortis Einstein

R. A. Franks William N. Frew Howard Heinz Durbin Horne James F. Hudson

S. C. Jamison

Rev. A. A. Lambing George A. Macbeth James R. Macfarlane

Hon. William A. Magee

Dr. A. C. Magill A. G. MacConnell William McConway Andrew W. Mellon George T. Oliver Henry K. Porter James H. Reed

W. Lucien Scaife John D. Shafer George E. Shaw Charles L. Taylor A. Bryan Wall Joseph R. Woodwell

FOREIGN ADVISORY COMMITTEES

LONDON Edwin A. Abbey Alfred East John Lavery *W. Q. Orchardson John Singer Sargent J. J. Shannon *John M. Swan

PARIS Edmond Aman Jean P. A. J. Dagnan-Bouveret Raphaél Collin Charles Cottet Walter Gay Jean Paul Laurens Léon Augustin Lhermitte Charles Sprague Pearce Jean Francois Raffaélli

MUNICH Ludwig von Lofftz Carl Marr Franz von Stuck

Toby E. Rosenthal

THE HAGUE B. J. Blommers G. H. Breitner Gari Melchers H. W. Mesdag

*Deceased

JURY OF AWARD 1910

JOHN W. BEATTY, President

WILLIAM M. CHASE New York City

CHARLES H. DAVIS

Mystic, Connecticut

CHILDE HASSAM New York City

W. L. LATHROP

New Hope, Pennsylvania

HENRI EUGENE LE SIDANER

Paris, France

ALBERT NEUHUYS Amsterdam, Holland

LEONARD OCHTMAN Cos Cob, Connecticut EDWARD W. REDFIELD Center Bridge, Pennsylvania W. ELMER SCHOFIELD Philadelphia

CHARLES H. WOODBURY Boston |

HONORS AWARDED BY CARNEGIE INSTITUTE

Medal of the First Class catrying with it a prize of $1,500

1896—John Lavery 1897—J. J. Shannon 1898—D. W. Tryon 1899—Cecilia Beaux 1900—André Dauchez 1903—Alfred H. Maurer 1902—Loan Exhibition 1903—Frank W. Benson 1904—W. Elmer Schofield 1905—Lucien Simon 1907—Gaston La Touche 1908—Thomas W. Dewing 1909—Edmund C. Tarbell 1910—William Orpen

Medal of the Second Class carrying with it a prize of $1,000

1896—J. F. Raffaelli 1897—Fritz Thaulow 1898—Childe Hassam 1899—Frank W. Benson 1900—Ben Foster 190J—Ellen W. Ahrens 1902—Loan Exhibition 1903—Bryson Burroughs 1904—Edmund C,. Tarbell 1905—Edward W. Redfield 1907—Thomas Eakins

1908—Henri Eugéne Le Sidaner 1909—George Sauter 1930—Karl Anderson

Medal of the Third Class

carrying with it a prize of $500 1896—Cecilia Beaux 1897—J. Alden Weir 1898—Alexander Roche 1899—André Dauchez 1900—Wm. Sergeant Kendall 1903—Edmund C. Vartell 1902—Loan Exhibition 1903—William L. Lathrop 1904—Howard Gardiner Cushing 1905—Childe Hassam 41907—Olga de Boznanska 1908—Emil Carlsen 1909—Bruce Crane 1930—Edward F, Rook

Honorable Mention

1897—Wilton Lockwood 1897—Louis Paul Dessar 1898—E. A. Walton 1898—John F. Weir 1899—Lucien Simon 1899—John H. T'wachtman 1900—Robert W. Allan 1900—Julius Olsson 1900—W. Elmer Schofield 490$—Mary L. Macomber

1903—Henri Eugene Le Sidaner 1902—Loan Exhibition 1903—David Ericson 1903—Van Dearing Perrine 1904—George Sauter 1904—Martha S. Baker 1904—H. M. Walcott

1905— William J. Glackens 1905—John Sloan 1905—Charles H. Woodbury 1907—W. Granville-Smith 1907—Maurice Greiffenhagen 1907—Lawton S. Parker 1908—Frederic Clay Bartlett 1908—Charles W. Hawthorne 1908—Arthur Kampf 1909—Arnesby Brown 1909—Stanhope A. Forbes 1909—E. A. Hornel 1909—Elizabeth Sparhawk-Jones 1930—Joseph Oppenheimer 1930—Charles Morris Young 1910—Daniel Garber 1910—Louis Betts

Chronological Medal catrying with it a prize of $1,000 or $500

1896—Winslow Homer 1896—Frank W. Benson 1899—D. W. Tryon

1900—Edwin A. Abbey

See

AA “ yy

4

LIST OF ILLUSTRATIONS

2—The Tenth Muse—John W. Alexander 6—Idlers: August—Karl Anderson 8—The Communicants—Joseph Bail JI—A Banner Bearer—Cecilia Beaux

15—Head of a Young Girl with a Veil—Frank W,

Benson 18—Apple Blossoms—Louis Betts 24—Moonlight and Surfi—George H. Bogert 4$—Children Playing with a Cat—Mary Cassatt 43—Studio Interior—William Merritt Chase 58—Girl with Rose Hat—Charles Cottet 64—In April—Charles H. Davis 72—Portrait of John W. Alexander—Frank Duveneck 74—An English Manor—Alfred East 83—Portrait of Mile, Lapojnikoff—Nicholas Fechin 85—February Sunshine—Stanhope A. Forbes 9I—Hills of Byram—Daniel Garber 119—Brooklyn Bridge—Childe Hassam 316—Gloucester Inner Harbor—Childe Hassam $5J—Return with the Catch—Charles W. Hawthorne 153—Portrait—Robert Henri 157—The Chase—E. A. Hornel

178—Italian Comedians—Gas‘on La Touche

182—Houses on the Canal, Bruges—Henri Eugene Le Si-

daner 20i—May Time—Willard L. Metcalf 214—Landscape—J. Francis Murphy 215—Rustic Interior—Albert Neuhuys 220—October Haze—Leonard Ochiman 222—Chinese Porcelain—Jcseph Oppenheimer 223—Portrait of the Artist—William Orpen 232—East End of Fisher’s Island—Henry W. Ranger 234—The White House—Edward W. Redfield 239—Laurel—Edward F. Rook 245—Portrait of Miss Brice—John S. Sargent 248—March Sunlight—W. Elmer Schofield 256—Girl with Carnations—Lucien Simon 263—Grande Place, Montreuil—P. Wilson Steer 269—An Opalescent River—George Gardner Symons 273—Winged Figure—Abbott H. Thayer 286—The Willows—A. Bryan Wall 29{—Pan and the Wolf: Landscape—J. Alden Weir 30{—The Valley—Charles H. Woodbury 304—Farmhouse in Winter—Charles Morris Young

ACKNOWLEDGMENT we ut

The Department of Fine Arts makes grate- ful acknowledgment to the members of the Jury of Award for valuable service rendered to the Institute and to art in America, and to those who have generously loaned paint- ings to the Institute and to the artists who entered paintings for exhibition

The names of the jurors appear in this catalogue

The following are the names of the con- tributors:

Mr. Arthur T. Aldis, Lake Forest, Ilfinois

Art Association of Indianapolis

Mr. C. D. Armstrong, Pittsburgh

Mrs. William H. Bliss, New York

Boston Art Club

Miss Helen O. Brice, New York

Mrs. James A. Burden

John Caldwell Estate, Pittsburgh

Mr. William Merritt Chase, New York

Cincinnati Museum Association

Mr. Henry L. Corbett, Portland, Oregon

Corcoran Gallery of Art, Washington, D.C.

Messrs. Durand-Ruel and Sons, New York

Mr. William T. Evans, Montclair, New Jersey

Miss Henrietta E. Failing, Portland, Oregon

Mrs. Henry P. Fairbanks, New York

Mr. J. R. Findlay, Edinburgh

-Mr. Charles L. Freer, Detroit

Mr. Robert C. Hall, Pittsburgh

Mrs. J. Horace Harding, New York

Mr. Alexander C. Humphreys, New York

Mr. E. Lomont, Sr., Lure (Haute-Sadne) France

Mrs. William S. Marchant, London

Mrs. Sydney R. Mason, Whitinsville, Massachusetts

Metropolitan Museum of Art, New York

Mrs. Frank Moore, Pittsburgh

Mr. Alexander Morten, New York

Mount Royal Club, Montreal

Muncie Art Association

Musée de l’Academie des Beaux-Arts, St. Petersburg

Mr. Thomas McKean, Rosemont, Penn- sylvania

National Gallery of Art, Smithsonian In- stitution, Washington, D. C.

Mr. John R. Neill, Philadelphia

Mts. William H. Nicolls, Brooklyn

Mr. William Nicholson, London

Mr. Charles J. Paine, Boston

Pennsylvania Academy of the Fine Arts, Philadelphia

Portland Art Association

Rhode Island School of Design, Providence

Mr. Henry Smith, New York

Mr. Ferruccio Stefani, Venice

Mr. John Stevenson, Jr., Sharon, Pennsyl- vania

Mr. Charles P. Taft, Cincinnati

Telfair Academy of Arts and Sciences, Savannah, Georgia

Trustees of Public Library, Erie, Pennsyl- vania

Union League Club, Chicago

Mr. C. E. S. Wood, Portland, Oregon

Dr. George Woodward, Philadelphia

Worcester Art Museum

Mr. R. A. Workman, London

OST OF THE PAINTINGS IN THIS COLLECTION ARE FOR SALE, AND VISITORS ARE INVITED TO SEEK INFORMATION IN REFERENCE TO THEM. INQUIRIES FOR PRICES MAY BE MADE AT THE DESKS OF THE CATALOGUE CLERKS IN THE GALLERIES. PRICES AND ADDITION- AL INFORMATION MAY BE OB- TAINED AT THE OFFICE OF THE DIRECTOR OF FINE ARTS

CATALOGUE we at

The international collection of paintings may be fcund in the following galleries on the third floor: I, J, K, L, M, N, and O. In the alphabetical index at the end of the catalogue may be found the num- ber of each picture with the letter indicating the gallery in which it is exhibited

Paintings marked with an asterisk (*) did not compete for honors. ‘They were: first, works not complying with published conditions; second, those not entered in competition; third, works by mem- bers of the Jury of Award

Paintings by members of the Jury and Foreign Advisory Committees were exempt from jury action

Pd

Adams, W. Dacres, London, England. Member of the New English Art Club, London

1—The Tourists

Alexander, John White, New York, New York; born, Pittsburgh, Pennsyl- vania. Member of the International So- ciety of Sculptors, Painters and Gravers, London; Société Nouvelle, Paris; Na- tional Academy of Design, National So- ciety of Mural Painters, Architectural League, Fine Arts Federation, Fine Arts Society, New York; Honorary Member of the Secession Society, Munich, and of the Secession Society, Vienna. Represented in the Luxem- bourg, Paris; in collections in St. Peters-

burg and Odessa; Metropolitan Museum of Art, New York; School of Design, Providence, R. I; Pennsylvania Acad- emy of the Fine Arts, Philadelphia; Mu- seum of Fine Arts, Boston; Cincinnati Art Museum; Carnegie Institute; Harvard, Princeton and Columbia Universities; Wheaton Seminary, Norton, Massachu- setts; Radcliffe College; Library of Con- gress, Washington. Temple Gold Medal, Pennsylvania Academy of the Fine Arts, 1897; Lippincott Prize, Pennsylvania Academy of the Fine Arts, 1899; Gold Medal, Exposition Universelle, Paris, 1900; Honorary Degree of Master of Arts, Princeton University; Carnegie Prize, Society of American Artists, 1901; Gold Medal, Pan-Ameri- can Exposition, Buffalo, 1901; Knight of the Legion of Honor, France, 1904; Gold Medal of Honor, Pennsylvania Academy

John White Alexander

Copyright Detroit Publishing Company

JOHN W. ALEXANDER 2—The Tenth Muse

Shee

*%

nt i

of the Fine Arts, 1903; Gold Medal, Uni- versal Exposition, St. Louis, 1904 2—The Tenth Muse* 3—A Summer Day

Allan, Robert W., London, England; born Glasgow, Scotland. Member of the Society of Oil Painters, and of the Royal Society of Painters in Water Colouts, London; Vice-President of Royal British Colonial Society of Artists. Represented in collections in Aberdeen, Leeds, Syd- ney, Melbourne, Glasgow, Liverpool, Hull, and Manchester. Silver Medal, Exposition Universelle, Paris, 1889; Hon- orable Mention, Carnegie Institute, 1900

4— Towards Sunset 5—Harbour of Rest

Anderson, Karl, New York, New York; born, Oxford, Ohio 6—Idlers: August

Awarded Medal of the Second C: Zass, Carnegie Institute, 1910

Robert W, Allan

André, Albert; born, Lyons, France 7—Still Life*

Bail, Joseph, Paris, France; born, Li- monest, France. Member of the Société des Artistes Frangais. Represented in the Luxembourg, Paris, and in museums at Lyons and Nancy. Honorable Mention, Salon, Paris, 1885; Medal of the Third class, 1886; Silver Medal, Exposition Universelle, Paris, 1889; Gold Medal, Exposition Universelle, Paris, 1900; Medal of Honor, Salon, Paris, 1902; H. C., Société des Artistes Francais; Knight of the Legion of Honor, France, 1900

8—The Communicants

Beal, Gifford, New York, New York. Member of the American Water Color Society; Associate of the National Acad- emy of Design, New York. Represented in the San Francisco Institute of Art. Third Prize, Worcester Art Museum, 1903; Bronze Medal, Universal Exposi-

Karl Anderson

1, ea OF THE PAINTINGS IN. THIS COLLECTION: ARE’ FOR SALE,

“AND. VISITORS ARE INVITED: TO

SEEK INFORMATION EN REFERENCE TO THEM.’ INQUIRIES FOR PRICES MAY BE MADE AT THE DESKS. OF THE, CATALOGUE: CLERKS IN THE GALLERIES, PRICES AND ADDITION- AL INFORMATION. MAY ».BE OB- TAINED AT ‘THE: OFFICE OF THE DIRECTOR’ OF FINE ARTS

KARL ANDERSON

6—Idlers: August. Awarded Medal of the Second Class, Carnegie Institute, 1910

tion, St. Louis, 1904; Samuel T’.. Shaw

Purchase Prize, 1909; First Hallgarten

Prize, National Academy of Design, 1940 9—The Palisades*

Beaux, Cecilia, East Gloucester, Miassa- chusetts; born, Philadelphia, Pennsylva- niaw Member of the Société Nationale des Beaux-Arts, Paris; National Academy of Design, New York. Represented in the Pennsylvania Academy of the Fine Arts, Philadelphia. Mary Smith Prize, Penn- sylvania Academy of the Fine Arts, 1835, 1887, 1904, and 1902; Dodge Prize, National Academy of Design, New York, 1893; Medal of the third class, Carnegie Institute, 1896; Medal of the first class, Carnegie Institute, 1899; Gold Medal, Exposition Universelle, Paris, 1900; Temple Gold Medal, Pennsylva- nia Academy of the Fine Arts, 1900; Gold Medal, Pan-American Exposition,

Cecilia Beaux

Buffalo, 1903; Gold Medal, Universal Exposition, St. Louis, 1904

10—The Shawl Costume

J{1—A Banner Bearer

Becker, Benno, Munich, Germany; born, Memel, Prussia. Member of the Seces- ston Society, Munich; Deutscher Ktinst- lerbund. Represented in the New Royal Pinakothek, Munich, Medal of the sec- ond class, Munich, 1903; Honorable Mention, Exposition Universelle, Paris, 1900

{2—Cypresses

Bellows, George W., New York, New York; born, Columbus, Ohio. Associate of the National Academy of Design, New York. Represented in the Penn- sylvania Academy of the Fine Arts, Phil-

Benno Becker

JOSEPH BAIL 8—The Communicants

adelphia. Second Hallgarten Prize, Na- tional Academy of Design, 1908

13—A Morning Snow

14—-Excavation at Night

Benson, Frank W., Salem, Massachusetts; born, Salem. Member of the National Academy of Design, Ten American Painters, New York; National In- stitute of Arts and Letters. Rep- resented in the National Library, Cin- cinnati Museum, Providence School of Design, Metropolitan Museum of Art, New York, and Carnegie Institute. Third Hallgarten Prize, National Acad- emy of Design, 1889; Clarke Prize, Na- tional Academy of Design, 1891; Medal, Columbian Exposition, Chicago, 1893; Wiedal, Charitable Mechanics Association, Boston; Elfsworth Prize, Art Institute of Chicago; Cleveland Art Association Prize; Jordan Prize, Boston, 1894 and

eet.

George W. Bellows

1895; Shaw Prize, Society of American Artists, 1896; Chronological Medal, Car- negie Institute, 1896; Medal of the second class, Carnegie Institute, 1899; Silver Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Ex- position, Buffalo, 1901; Lippincott Prize, Pennsylvania Academy of the Fine Arts, 1903; Gold Medal, Carnegie Institute, 1903; Iwo Gold Medals, Universal Ex- position, St. Louis, 1904; Second Prize, Corcoran Gallery of Art, Washington, 1907; Gold Medal, Philadelphia Art Club; Temple Gold Medal, Pennsylva- nia Academy of the Fine Arts; Harris Medal, Chicago, 1909

15—Head of a Young Girl with a Veil

16—A Rainy Day*

Frank W. Benson

CECILIA BEAUX JI—A Banner Bearer

Betts, Louis, Chicago, Illinois; born, Lit- tle Rock, Arkansas. Fellowship of the Pennsylvania Academy of the Fine Arts, Represented in the Art Institute of Chi- cago; Armour Institute; University of Chicago

47—Portrait of Mrs. Edward F. Carry

18—Apple Blossoms

Awarded Honorabie Mention, Carnegie Institute, 1910

Bittinger, Charles, New York, New York; born, Washington, D. C. Bronze Medal, Universal Exgosition, St. Louis, 1904; Second Hallgarten Prize, National Academy of Design, New York, 1909

19—The Blue Gown

Blackstone, Harriet, Glencoe, Illinois; torn, New York. Member of the So- ciety of Chicago Artists; American Wo- man’s Art Association, Paris

20—Portrait of James Edwin Miller

Louis Betts

Blanche, Jacques fmile, Paris, France; born, Paris. Member of the Société Na- tionale des Beaux-Arts, Paris, the Seces- sion Society, Munich, and the Internation- al Society of Sculptors, Painters and Gravers, London. Represented in the Luxembourg, Paris, and in the museum at Rouen. Silver Medal, Munich, 1891; Knight of the Legion of Honor, France, 1898; Gold Medal, Exposition Univer- selle, Paris, 1900; Gold Medal, Munich, 1903; Grand Gold Medal, Venice

2{—Nancy McKean*

Blumenschein, Ernest Leonard, Paris, France; born, Pittsburgh, Pennsylvania. Member of the Society of Illustrators, New York, and of the American Art Association, Paris. Beck Prize, Phila- delphia Water Color Club

22—Portrait of Ellis Parker Butler and Fam-

ily

23—Allegory in honor of a Barrymore Child

FRANK W. BENSON 15—Head of a Young Girl with a Veil

Bogert, George H., New York, New York; born, New York. Member of the Society of Landscape Painters and of the National Academy of Design, New York. Represented in the Museum of Fine Arts, St. Louis; Pennsylvania Academy of the Fine Arts, Philadelphia; Brooklyn Institute of Arts and Sciences; Metropolitan Museum of Art, New York; Corcoran Gallery of Art, Wash- ington, D. C. Honorable Mention, Pennsylvania Academy of the Fine Arts, 1892; Webb Prize, Society of American Artists, 1898; First Hallgarten Prize, Na- tional Academy of Design, 1899; Bronze Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Ex- position, Buffalo, 1903; Silver Medal, Universal Exposition, St. Louis, 1904

24—Mioonlight and Surf 25—Approach of Evening

George H. Bogert

Borchardt,- Hans, Munich, Germany. Member of the Secession Society, Mun- ich; Corresponding Member of the Seces- sion Society, Berlin; Member of the Association of German Artists. Repre- sented in the Pinakothek, Munich. Hon- orable Mention, Paris, 1900; Medal of the second class, Munich, 1905

26—At the Door*

Borie, Adolphe, Philadelphia, Pennsylva- nias Carol Beck Gold Medal, PennsylI- vania Academy of the Fine Arts, 1910

27—Lady with Black Scarf

Boznanska, Olga de, Paris, France; born, Cracow, Austria. Member of the Société Nationale des Beaux-Arts, Paris, and of the International Society of Sculp- tors, Painters and Gravers, London.

Olga de Boznanska

LOUIS BETTS

38—Apple Blossoms, Awarded Honorable Mention, Carnegie Institute, 1910

Represented in the Luxembourg, Paris, and in the National Museum of Cracow. Gold Medal, Vienna, 1894; Gold Medal, New Gallery, London, 1900; Honorable Meation, Exposition Universelle, Paris, 1900; Gold Medal, International Exposi- tion, Munich, 1905; Medal of the third class, Carnegie Institute, 1907

28—Motherhood

29—Study of a Young Man*

Bramley, Frank, London, England; born near Boston, Lincolnshire, England. As- sociate of the Royal Academy of Arts, London, and of the Société Nationale des Beaux-Arts, Paris. Represented in the Chantrey Bequest collection, Tate Gal- lery, London; Carnegie Institute; in col- lections at Venice and at Cape Town. Medal of the second class, Salon, Paris, 1892; Silver Medal, Exposition Univer- selle, Paris, 1909; Bronze Medal, Chicago

30=Deliclous Solitude

Frank Bramley

Breckenridge, Hugh H., Fort Washing- ton, Pennsylvania; born, Leesburg, Vir- ginia. Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia ; Member of the New York Water Color Club, and of the Philadelphia Water Col- or Club. Represented in the Art Club, Philadelphia, and in collections in New York, Chicago, Pittsburgh, and Cleve- land. Medal, Atlanta Exposition, 1895; Honoratle Mention, Exposition Univer- selle, Paris, 1900; First Toppan Prize, Pennsylvania Academy of the Fine Arts, Philadelphia; Bronze Medal, Pan- American Exposition, Buffalo, 1903; Second Corcoran Prize, Washington, D. C., 1903; Gold Medal, Art Club, Phila- delphia, 1907; First Prize, Washington Water Color Club, 1908

3i3—The Open Garden

Hugh H, Breckenridge

GEORGE H. BOGERT 24—Mloonlight and Surf

5

Brown, T. Austen, London, England; born, Edinburgh, Scotland. Associate of the Royal Scottish Society Acad- emy, Edinburgh, and of the Société Nationale des Beaux-Arts, Paris; Corre- sponding Member of the Société Royale des Beaux-Arts, Brussels. Represented in the Pinakothek, Munich; National Galleries of Dresden, Budapest, and Brus- sels, and corporation galleries of Mann- heim, Glasgow, Exeter, and Leeds. Medal of the first class, Munich, 1896; Medal of the second class, Munich, 1891; Medal of the first class, Dresden; Grand Gold Medal, Budapest; Silver Medal, Barcelona

32—Going to Work

Brush, George de Forest, New York, New York; born, Shelbyville, Tennessee, Member of the National Academy of

T. Austen Brown

Design, and of the National Institute of Arts and Letters, New York. Repre- sented in the Museum of Fine Arts, Boston; Corcoran Gallery of Art, Wash- ington, D. C.; Metropolitan Museum of Art, New York. First Hallgarten Prize, National Academy of Design, 18388; Medal, Columbian Exposition, Chicago, 1893; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1897; Gold Medal, Exposition Univer- selle, Paris, 1900; Gold Medal, Pan- American Exposition, Buffalo, 1903; Gold Medal, Universal Exposition, St. Louis, 1904 33—Mother and Child*

Bunce, William Gedney, Hartford, Con- necticut; born, Hartford. Member of the National Academy of Design, New York, and of the National Institute of Arts and Letters. Represented in the

William Gedney Bunce

Metropolitan Museum of Art, New York. Bronze Medal, Exposition Uni- verselle, Paris, 1900; Silver Medal, Pan- American Exposition, Buffalo, 1904; Sil- ver Medal, Charleston Exposition, 1902; Silver Medal, Universal Exposition, St. Louis, 1904 34—Evening in Venice

Caliga, I. H., Salem, Massachusetts; born, Auburn, Indiana 35—Portrait of Henry Fitz Gilbert Waters* 36—The Blue Scarf

Caputo, Ulisse, Paris, France. Repre- sented in the collection of the King of Italy. Medal of the third class, Salon, Paris, 1909; Medal of the second class, International Exhibition, Munich, 1909

37—Tea

38—Between Acts

Carlsen, Emil, New York, New York; born, Copenhagen, Denmark. Member of the National Academy of Design, New York. Represented in the Metro- politan Museum of Art, New York, and in the Brooklyn Institute of Arts and Sciences. Shaw Prize, Society of Ameri- can Artists, 1904; Gold Medal, Universal Exposition, St. Louis, 1904; Webb Land- scape Prize, Society of American Artists, 1905; Inness Gold Medal, National Academy of Design, 1907

39—Open Sea 40—Ripening Corn

Cassatt, Mary, Paris, France; born, Pitts- bureh, Pennsylvania. Represented in the Luxembourg, Paris. Lippincott Prize, Pennsylvania Academy of the Fine Arts, Philadelphia, 1904; Chevalier of the Legion of Honor, France, 1904

4J—Children Playing with a Cat* 42—Reading*

Emil Carlsen

MARY CASSATT 43—Children Playing with a Cat

Chase, William Merritt, New York, New York; born, Franklin, Indiana. Member of the National Academy of Design, Ten American Painters, New York; Seces- sion Society, Munich; International So- ciety of Sculptors, Painters and Gravers, London. Represented in the Metropoli- tan Museum of Art, New York; Penn- sylvania Academy of the Fine Arts, Philadelphia; Art Institute of Chicago; Carnegie Institute, Pittsburgh; New Pin- akothek, Munich; Boston Museum of Fine Arts; Herron Art Institute, Indian- apolis, Indiana; St. Louis Museum of Fine Arts; Providence Art Club. Medal, Centennial Exposition, Philadelphia, 1876; Honorable Mention, Salon, Paris, 1881, Medal, Munich, 1883; Silver Medal, Salon, Paris, 1889; First Prize, Cleveland Art Association, 1894; Samuel T. Shaw Prize, Society of American Artists, 1895; Gold Medal of Honor,

William Merritt Chase

Pennsylvania Academy of the Fine Arts, 1895; Gold Medal, Exposition Univer- selle, Paris, 1900; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, 1903; Gold Medal, Pan-American Expo- sition, Buffalo, 1904; Gold Medal, Charleston Exposition, 1902; First Cor- coran Prize, Society of Washington Art- ists, 1904; Order of Saint Michael of Bavaria, 1905

43—Studio Interior*

44__Portrait of a Lady*

A5—A Literary Critic*

46—Girl in Japanese Gown*

Chimona, Nicolaus, St. Petersburg, Rus- sia; born in the Crimea, South Russia. Member of the Academie des Beaux- Arts, St. Petersburg. Represented in the National Museum of Alexander III, and in the Museum of the Academy, St. Pe-

WILLIAM M, CHASE 43—Studio Interior

tersburg. First Imperial’ Prize, Academy, St. Petersburg; Gold Medal, Munich, 1909.

47—Winter Day

48—Attica, Greece

Chudant, Jean Adolphe, Paris, France; born, Besancon, France. Member of the Société Nationale des Beaux-Arts, Paris. Represented in the Luxembourg, Paris, and in the Pinakothek, Munich. Com- mander of the Nichan Iftikar; Officer of the Academy, France; officer of the Liberator; Officer of the Nichan el Anouwar; Officer of the Black Star; H. C., Salon, Paris, 1898; Bronze Medal, Expo- sition Universelle, Paris, 1900

49—Orchard in April

Ciardi, Beppe, Venice, Italy. Member of the Academy of Fine Arts, Venice. Rep- resented in museums in Rome, Venice, Munich and Udine. Medal of the second

class, Munich, 1903; Silver Medal, Uni-

versal Exposition, St. Louis, 1904; State

Gold Medal, Vienna International Exhi-

bition, 1909; Gold Medal, Rimini, 1909 50—Hay Making

Clark, Alson Skinner, Chicago, Illinois; born, Chicago. Member of the Society of Western Artists, and of the American Art Association, Paris. Represented in the Municipal League Collection, Water- town, New York. Bronze Medal, Uni- versal Exposition, St. Louis, $904; Mar- tin B. Cahn Prize, Art Institute of Chi- cazo, 1906

53—High Noon; Madrid

Clarkson, Ralph Elmer, Chicago, Illinois; born, Amesbury, Massachusetts. Mem- ber of the Society of Western Artists; Chicago Society of Artists; Municipal

Max Clarenbach

Art League of Chicago; Municipal Art Commission of Chicago; New York Water Color Club

52—Portrait of E. G. Keith, Esq.*

Clarenbach, Max, Diisseldorf-Obercassel Germany; born, Neuss, near Dtisseldorf. Member of the Kiinstlerbund, the Aus- stellerverband, and of the Sonderbund, Diisseldorf. Represented in the Albright Gallery, Buffalo; National Gallery, Ber- lin; and in collections in Diisseldort, Bonn, Essen, Strassburg, Cologne, Bar- men, and Elberfeld. Silver Medals; Grez and Salzburg; Gold Medal, Vienna, 1903; Gold Medal, Dtsseldorf, 1907

53—Hoar Frost and Fog

Claus, Emile, Astene, Belgium; born, Vi- ve-Saint-Eloi, Belgium. Member of the Société Nationale des Beaux-Arts, Paris,

Emil Claus

and of the Secession Society, Berlin. Represented in the Luxembourg, Paris; Museums of Dresden, Berlin, Venice, Brussels, and Antwerp. Gold Medal, Exposition Universelle, Paris, 1889; Gold Medal, Exposition Universelle, Paris, 1900; Officer of the Order of St. Michael of Bavaria, and of the Order of Leopold; Knight of the Legion of Honor, France, and of the Order of Orange-Nassau 54—Fields after Harvest

Coman, Charlotte B., New York, New York; born, Waterville, New York. Member of the New York Water Color Club; Woman’s Art Club, New York. Represented in the National Art Gal- lery, Washington, D. C. Bronze Medal, San Francisco, California, 1894; Shaw Memorial Prize, Society of American Artists, 1905; Second Prize, Society of Washington (D. C.) Artists, 1906; Bur-

Charlotte B. Coman

gess Prize, New York Woman’s Art Club, 1907 55—Late October

Cope, Arthur Stockdale, London, England. Associate of the Royal Academy of Arts, London; Honorary Member of the So- cieté des Artistes Francais, Paris. Hon- otable Mention, Salon, Paris, 1892; Gold Medal, Salon, Paris, 1902; Medaille Rosa Bonheur

56—Portrait of Mrs. Forster

Costa, John da, New York, New York. Member of the Royal Institute of Oil Painters, London; New Society of Por- trait Painters, London; "he Pastel Soci- ety, London. Represented in collections in Leeds and Yorkshire, England. Medal of the third class, Salon, Paris, 1907

57—Portrait of Mrs. Evans Rogers Dick

Cottet, Charles, Paris, France; born, Puy, France. Member of the Société Nationale des Beaux-Arts, Paris; Seces- ston Society, Vienna; Secession Society, Berlin; International Society of Sculptors, Painters and Gravers, London, Repre- sented in the Luxembourg, Paris, and in the Museums of Lille, Venice, Trieste, Antwerp, Carlsruhe, Brussels, Bordeaux, Helsingfors, St. Etienne, Vienna, and Barcelona. Knight of the Legion of Honor, France, 1900; Gold Medal, Expo- sition Universelle, Paris, 1900; Gold Medal, International Exposition, Munich, 1905

58—Girl with Rose Hat* 59—View of Venice*

Charles Cottet

CHARLES COTTET 58—Girl with Rose Hat

Crane, Bruce, New York, New York; born, New York. Member of the Na- tional Academy of Design, Society of Landscape Painters, American Water Color Society, New York Water Color Club, New York. Represented in the Metropolitan Museum of Art, New York; Brooklyn Institute of Arts and Sciences; Peabody Library, Baltimore; Carnegie Institute, Pittsburgh, Webb Prize, Society of American Artists, 1897; Bronze Medal, Exposition Universelle, Paris, 1900; Inness Gold Medal, National Academy of Design, 1904; Silver Medal, Pan-American Exposition, Buffalo, 1904; Silver Medal, Charleston Exposition, 1902; Gold Medal, Universal Exposition, St. Louis, 1904; Medal of the third class, Carnegie Institute, 1909

60—Fields and Hills

Bruce Crane

Daingerfield, Elliott, New York, New York; born, Harper’s Ferry, Virginia. Member of the National Academy of Design, New York, and of the New York Municipal Art Society. Repre- sented in the National Gallery, Washing- ton, D. C.; Brooklyn Institute of Arts and Sciences; Metropolitan Museum of Art, New York. Silver Medal, Pan-American Exposition, Buffalo, 1903; Clarke Prize, National Academy of De- sign, 1902

64—Autumn

Dauchez, André, Paris, France; born, Paris. Member of the Société Nationale des Beaux-Arts, and of the Société Now- velle de Peintres et Sculpteurs, Paris. Represented in the Luxembourg, Paris;

Elliott Daingerfield

Carnegie Institute; and in collections in Philadelphia, Helsingfors, Bergen, Buda- pest, Lille, Nantes, and Havre. Medal of the third class, Carnegie Institute, 1899; Medal of the first class, Carnegie Insti- tute, 1900; Silver Medal, Exposition Uni- verselle, Paris, 1900; Second Gold Medal, International Exposition, Munich, 1901 62—The Mill by the Sea

Davis, Charles H., Mystic, Connecticut; born, Amesbury, Massachusetts. Mem- ber of the National Academy of Design, New York. Represented in the Penn- sylvania Academy of the Fine Arts, Philadelphia; Corcoran Gallery of Art, and National Gallery, Washington, D. C.; Metropolitan Museum of Art, New York; Art Institute, Chicago; Wads- worth Athenaeum, Hartford; Art Gal- lery, Omaha; Art Museum, Worcester,

André Dauchez

Massachusetts. Honorable Mention, Sa- lon, Paris, 1887; Silver Medal, Exposi- tion Universelle, Paris, 1889; Palmer Prize, Art Institute of Chicago, 1890; Medal, Massachusetts Charitable Me- chanics Association, Boston, 1890; Medal, Columbian Exposition, Chicago, 1893; Grand Gold Medal, Atlanta Exposition, 1895; Gold Medal, American Art Asso- ciation, New York, 1896; Bronze Medal, Exposition Universelle, Paris, 1900; Lip- pincott Prize, Pennsylvania Academy of the Fine Arts, Philadelphia, 1904; Silver Medal, Pan-American Exposition, Buf- falo, 1903; Silver Medal, Universal Ex- position, St. Louis, 1904

63—The Quarries; Late Afternoon*

64—In April*

Davol, Joseph Benjamin, Ogunquit, Maine 65—The Drift, Moonlight

ie

Charles H. Davis

CHARLES H. DAVIS 64—In April

Dearth, Henry Golden, New York, New York; born, Bristol, Rhode Island. As- sociate of the National Academy of De- sign, New York. Webb Prize, Society of American Artists, 1893; Bronze Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Ex- position, Buffalo, 190%; Silver Medal, Charleston Exposition, 1902

66-—The Birches

D’Espagnat, Georges, Paris, France; born, Melun, France 67—The Scolding*

Dessar, Louis Paul, New York, New York; born, Indianapolis, Indiana. As- sociate Member of the National Acad- emy of Design, New York. Medal of

Georges D’Espagnat

the third class, Salon, Paris, 189%; Medal, Columbian Exposition, Chicago, 1893; Honorable Mention, Carnegie In- stitute, 1897; Second Hallgarten Prize, National Academy of Design, 1899; First Hallgarten Prize, National Acad- emy of Design, 1900; Bronze Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Exposition, Buffalo, 1904; Silver Medal, Charleston Exposition, 1902 68—Spring; Marvin’s Woods

De Voll, F. Usher, Providence, Rhode Island

69—The White City

Dougherty, Paul, New York, New York; born, Brooklyn, New York. Member of the National Academy of

i. Usher De Voll

Design and of the National Institute of Arts and Letters, New York. Repre- sented in the Corcoran Gallery of Art, Washington, D. C.; Brooklyn Institute of Arts and Sciences; Art Institute, Chicago; Art Gallery of Fort Worth, Texas 70—Flood ‘Tide*

Dufner, Edward, New York, New York; born, Buffalo, New York. Member of the American Art Association, Paris; American Water Color Society, and New York Water Color Club, New York. Represented in the Albright Art Gallery, Buffalo. First Wanamaker Prize, American Art Association, Paris, 1899; Bronze Medal, Pan-American Ex- position, Buffalo, 1901; Honorable Men- tion, Salon, Paris, 1902; Silver Medal, Universal Exposition, St. Louis, 1904;

Pa Paul Dougherty

Fellowship Prize, Buffalo Society of Artists, 1904; William T. Evans Prize, American Water Color Society, New York, 1909

7i1—Evening

Duveneck, Frank, Cincinnati, Ohio; born, Covington, Kentucky. Member of the National Academy of Design, New York; Society of Western Artists; Cin- cinnati Art Club; National Institute of Arts and Letters. Medal, Columbian Ex- position, Chicago, 1893; Honorable Men- tion, Salon, Paris, 1895; Silver Medal, Pan-American Exposition, Buffalo, 1903

72—Portrait of John W. Alexander*

East, Alfred, London, eed: President of the Royal Society of British Artists, London; Associate of the Royal Acad- emy, London; Honorary Associate of the Royal Institute of British Architects,

Edward Dufner

FRANK DUVENECK. 72—Portrait of John W. Alexander

epee a

London; Member of the Royal Society of Painter-Etchers and Engravers, Lon- don, and of the Société des Eau-fortes en Couleur, Paris; Honorary Member of the Société Royal des Aquarellets de Belge, Société Nationale des Beaux-Arts, Paris, and of the Neiji Bijutsu Kai, Japan. Represented in the Luxembourg, Paris; Victoria and Albert Museum, London; National Gallery of Hungary; Perma- nent Gallery, Venice; National Gallery, Brussels; Carnegie Institute; municipal galleries, Manchester, Liverpool, Bir- mingham, Leeds, Preston, Hull, and Oldham. Gold Medal, Exposition Uni- vetselle, Paris, 1889; Medal of the second class, Munich, 1894; Medal, Columbian Exposition, Chicago, 1893; Medal of the second class, Exposition Universelle, Paris, 1900; Medal, Barcelona, 1907

73—Sunshine after Rain*

74A—An English Manor

75—In the Cotswolds*

Alfred East

Eakins, Thomas, Philadelphia, Penn- sylvania; born, Philadelphia. Member of the National Academy of Design, New York. Represented in the Metro- politan Museum of Art, New York; Pennsylvania Academy of the Fine Arts, Philadelphia. Medal, Columbian Expo- sition, Chicago, 1893; Honorable Men- tion, Exposition Universelle, Paris, 1900; Gold Medal, Pan-American Exposition, Buffalo, 1904; Gold Medal, Universal Exposition, St. Louis, 1904; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1904; Proc- tor Prize, National Academy of Design, New York, 1905; Medal of the second class, Carnegie Institute, 1907

76—Portrait of Edward A. Schmidt

Thomas Eakins

ALFRED EAST 74—An English Manor

Ebert, Charles H., Greenwich, Connecti- cut

77—The Spectral Fog

78—The Fisherman’s Hut

Emmet, Elfen G., New York, New York. Represented in the Metropolitan Museum of Art, New York. Silver Medal, Universal Exposition, St. Louis, 1904

79—In the Studio

Enneking, John J., Boston, Massachu- setts; born, Minster, Ohio. Member of the Boston Art Club and of the Paint and Clay Club, Boston. Represented in the Boston Art Club and in the Art Mu-

Charles H. Ebert

seum, Worcester, Massachusetts. Honor- able Mention, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Exposition, Buffalo, 190% 80—Grey Day in the Mountains, Berkshire Hills

Fechin, Nicholas, Kasan, Russia. Rep- resented in the Museum of the Academie des Beaux-Arts, St. Petersburg. Medals: Academie des Beaux-Arts, and Soctété des Beaux-Arts, St. Petersburg; Gold Medal, Munich

8i—Portrait of Mile. Lapojnikoff 82—Portrait of my Father

Fergusson, John Duncan, Paris, France. Member of the Salon d’Automne, Paris, and of the Royal Society of British Art- ists, London

83—The Chinese Mantle 84—The Red Shawl

Bie aN Ellen G. Emmet

,

NICOLAS FECHIN 83—Portrait of Mile. Lapojnikoff

Forbes, Stanhope A., Higher Faugan, Newlyn, Penzance, England; born, Dub- lin, Ireland. Member of the Royal Acad- emy of Arts, London; Corresponding Member of the Institute of France. Rep- resented in the National Gallery of Mod- ern Art, London; Walker Art Gallery, Liverpool; National Gallery, Melbourne, Australia; Corporation Art Galleries in Manchester, Birmingham, Oldham, Worcester, Plymouth, Brighton, and Ex- eter. Gold Medal, Exposition Univer- selle, Paris, 1889; Medal of the first class, Munich, 1891; Gold Medal, Exposition Universelle, Paris, 1900; Honorable Men- tion, Carnegie Institute, 1909

85—February Sunshine

John J. Enneking

Foster, Ben, New York, New York; born, North Anson, Maine. Member of the National Academy of Design, New York. Represented in the Luxembourg, Paris; Art Association, Montreal; Brook- lyn Institute of Arts and Sciences; Cor- coran Gallery of Art, and in the William T. Evans Collection, National Gallery of Art, Washington, D. C.; Pennsylvania Academy of the Fine Arts, Philadelphia. Bronze Medal, Columbian Exposition, Chicago, 1893; Second Prize, Cleveland, 1895; Bronze Medal, Exposition Univer- selle, Paris, 1900; Medal of the second class, Carnegie Institute, 1900; Silver Medal, Pan-American Exposition, Buf- falo, 1903; Webb Prize, Society of American Artists, 1903; Silver Medal, Universal Exposition, St. Louis, 1904; Carnegie Prize, National Academy of

Ben Foster

STANHOPE A. FORBES

85—February Sunshine

Design, New York, 1906; Inness Gold Medal, National Academy of Design, 1909

86—Summer Night

Franzen, August, New York, New York; born, Norrkoping, Sweden. Asso- ciate of the National Academy of De- sign, New York. Medal, Columbian Exposition, Chicago, 1893; Bronze Medal, Paris Exposition, 1900; Honora- ble Mention, Pan-American Exposition, Buffalo, 1901; Gold Medal, American Art Society, New York, 1902

87—Portrait of the Honorable A. T. Clear-

water

Frieseke, Frederick Carl, Paris, France; born, Owosso, Michigan. Member of the Société Nationale des Beaux-Arts, Soci- ety of American Artists, and of the So- ciété Internationale, Paris. Represented

Frederick Carl Frieseke

in the Luxembourg, Paris, and in galler- fes of modern art in Venice and Odessa. Gold Medal, International Exhibition, Munich, 1904; Silver Medal,» Universal Exposition, St. Louis, 1904; Fourth W. A. Clarke Prize, Corcoran Gallery of Art, 1908 88—The Green Boat

Fursman, Frederick Frary, Chicago, Iili- nois

89—In the Garden

Garber, Daniel, Lumberville, Pennsylva- nia. Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia. First Toppan Prize, Pennsylvania Acad- emy of the Fine Arts, 1903; First Hall- garten Prize, National Academy of De- sign, 1909; Honorable Mlention, Art Club of Philadelphia, 1910

90—Horses 9{—Hills of Byram

Awarded Honorable Mention, Carnegie Institute, 1910

DANIEL GARBER

9i—Hills of Byram. Awarded Honorable Mention, Carnegie Institute, 1910

Genth, Lillian Matilde, Philadelphia, Pennsylvania; born, Philadelphia, Fel- lowship of the Pennsylvania Academy of the Fine Arts, Philadelphia; Associate of the National Academy of Design, New York. Represented in the Carnegie Institute; Cremer Collection, Dortsmund, Germany; Art Club of Philadelphia; National Gallery, Washington, D. C.; Brooklyn Institute of Arts and Sciences; Mary Smith Prize, Pennsylvania Acad- emy of the Fine Arts, Philadelphia, 1904; Shaw Memorial Prize, National Academy of Design, New York, 1908

92—The Balcony

93—Reflections

Lillian Matilde Genth

Gilchrist, Jr, W. W., Philadelphia, Pennsylvania. Member of the Art Club of Philadelphia. Represented in the Cin- cinnati Museum of Art. Hallgarten Prize, National Academy of Design, New York, 1908

94A—A Study in Lavender

Gilsoul, Victor, Brussels, Belgium. Member of the Société des Beaux-Arts, Brussels. Represented in the Luxem- bourg, Paris, and in collections in Brus- sels, Antwerp, and Crefeld. Gold Medals: Munich, 1897, Barcelona; Silver Medals: Paris, Brussels; Medal of Honor, Bor- deaux

95—Village Square at Brabancon

Gorson, A. H., Pittsburgh, Pennsylvania 96—Pittsburgh Nocturne

Granville-Smith, W., New York, New York; born, Granville, New York. As- sociate of the National Academy of Design, New York; Member of the American Water Color Society, New York. Third Hallgarten Prize, National Academy of Design, 1900; Bronze Medal, Charleston Exposition, 1902; Evans Prize, American Water Color So- ciety, 1905; First Prize, Worcester Art Museum, 1906; Honorable Mention, Car- negie Institute, 1907; Inness Gold Medal, National Academy of Design, 1908

97—The Willows

Grassel, Franz, Munich, Germany. Mem- ber of the Alfem. Deutsche Kunsterge- nossenschaft, Represented in the WNa-

W. Granville-Smith

tional Gallery, _ Berlin; Pinakothek, Munich; Art Gallery, Glasgow; and in collections in Freiburg and Nuremberg. Silver Medal, Munich Academy; Medal of the second class, Munich, 1897; Silver Medal, Salzburg, 1903; Medal of the first class, Munich, 1909 98—White Ducks on the Water*

Greiffenhagen, Maurice, London, Eng- land. Represented in the Walker Art Gallery, Liverpool, England; National Art Gallery, Sidney, New South Wales; Carnegie Institute, Pittsburgh; in a collec- tion in Ghent, Belgium. Gold Medal, International Exposition, Munich, 1897, Gold Medal, Dresden, 1901; Honorable Mention, Carnegie Institute, 1907

99—The Beggar Maid

100—A Portrait in Brown

Franz Griissel

Groll, Albert L., New York, New York; born, New York. Associate of the Na- tional Academy of Design, New York. Represented in the Corcoran Gallery of Art, Washington, D. C. Silver Medal, Universal Exposition, St. Louis, 1904; Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1906

10J3—Navajo Desert, Arizona

Guiguet, Francois, Paris, France; born, Corbelin, France. Member of the Société Nationale des Beaux-Arts, Paris. Rep- resented in the Luxembourg, Paris, and in museums at St. Etienne and at Gren- oble. Bronze Medal, Exposition Univer- selle, Paris, 1900

402—Child Standing Near a Door (Tim- idity)

Maurice Greiffenhagen

Guthrie, Sir James, Edinburgh, Scotland. Member of the National Gallery of Scot- land; Société Nationale des Beaux- Arts, Paris; Honorary Member of Royal Academies of Saxony and Bavaria; Royal Hibernian Academy; Royal In- stitute of Oil Painters, London

103—Mrs. John R. Findlay*

Hacke, Ida, Munich, Germany 104—Stll Life

Hailman, Johanna K., Pittsburgh, Penn- sylvania; born, Pittsburgh 105—Pittsburgh Blast Furnace: Soho Num- ber One

Halford, C. H., London, England 106—Wandering Minstrels

Albert L. Groll

Hamilton, J. McLure, London, England; born, Philadelphia, Pennsylvania. Hon- otaty Member, Philadelphia Water Color Club; Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia. Honorable Mention, Salon, Paris, 1892; Gold Medal, Pan-American Exposition, Buffalo, 1901; Gold Medal, Universal Exposition, St. Louis, 1904

107—Portrait of Dr. S. Weir Mitchell* 108—Portrait of Joseph Pennell*

Harrison, Alexander, Paris, France; born, Philadelphia, Pennsylvania. Mem- ber of the Société Nationale des Beaux- Arts, Paris; Secession Society, Berlin; Secession Society, Munich; National Academy of Design, and of the National Institute of Arts and Letters, New York. Represented in the Luxembourg, Paris;

J. MeLure Hamilton

Royal Gallery, Dresden, National Mu- seum, Budapest; Museum of Fine Arts, St. Louis; Corcoran Gallery of Art, Washington, D. C.; Pennsylvania Acad- emy of the Fine Arts, Philadelphia; Chi- cago Art -Institute; Memorial Half Mu- seum, Philadelphia; and in collections in Buenos Ayres, Berlin, Ghent, and Bruges, Honorable Mention, Salon, Paris, 1885; Temple Silver Medal, Pennsylvania Academy of the Fine Arts, 1887; Gold Medal, Exposition Universelle, Paris, 1889; Medal of the second class, Munich, 1893; Medal of Honor, Pennsylvania Academy of the Fine Arts, 1894; Medal of Honor, Vienna; Officer of the Legion of Honor, France, 1894; Officer de [’In- struction Publique, Paris 109—Cliffs, Tréport 110—Behind Tréport

Alexander Harrison

Harrison, Birge, Bearsville, New York; born, Philadelphia, Pennsylvania. Fellow- ship of the Pennsylvania Academy of the Fine Arts, Philadelphia; Associate of the National Academy of Design; Mem- ber of the National Institute of Arts and Letters, New York. Represented in the Art Institute of Chicago; St. Louis Mu- seum of Art; Pennsylvania Academy of the Fine Arts; Museums in Marseilles and Nantes; Collections in Spartansburg, South Carolina, and Oakland, California, Silver Medal, Exposition Universelle, Paris, 1889; Medal, Columbian Exposi- tion, Chicago, 1893; Bronze Medal, Pan- American Exposition, Buffalo, 1901; Sec- ond Corcoran Prize, Society of Washing- ton Artists, 1904; Silver Medal, Univer- sal Exposition, St. Louis, 1904; H. C., Salon, Paris

13{—The Old Saw-mill 112—The Frozen Stream

Birge Harrison

Hassam, Childe, New York, New York; born, Boston, Massachusetts. Member of the Ten American Painters, National Academy of Design, American Water Color Society, and New York Water Color Club, New York; Associate of the Société Nationale des Beaux-Arts, Paris; Corresponding Member of the Seces- sion Society, Munich. Represented in the Boston Art Club, Boston; Metropol- itan Museum of Art, New York; Al- bright Art Gallery, Buffalo; John Her- ron Art Institute, Indianapolis; Telfair Academy of Arts and Sciences, Savan- nah, Georgia; Cincinnati Art Museum; Rhode Island School of Design, Provi- dence, Rhode Island; Worcester Art Museum, Worcester, Massachusetts; Art Club of Erie, Erie, Pennsylvania; Portland Art Association, Portland, Oregon; Corcoran Gallery of Art, Washington, D. C.; National Gallery,

Childe Hassam

CHILDE HASSAM ’ 116—Gloucester Inner Harbor :

Washington, D. C.; Muncie Art Association, Muncie, Indiana; Hillyer Art Gallery, Smith College, Northamp- ton, Massachusetts; Walters Gallery, Bal- timore; Carnegie Institute; Pennsylvania Academy of the Fine Arts, Philadel- phia; Charles L. Freer Collection. Medal of the thitd class, Exposition Universelle, Paris, 1889; Gold Medal, Munich, 1892; Gold Medal, Art Club of Philadelphia, 1892; Medal, Columbian Exposition, Chicago, 1893; Prize, Cleveland Art As- sociation, 1893; Webb Prize, Society of American Artists, 1895; Prize, Boston Art Club, 1896; Medal of the second class, Carnegie Institute, 1898; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1899; Silver Medal, Exposition Universelle, Paris, 1900; Gold Medal, Pan-American Expo- sition, Buffalo, 1901; Gold Medal, Uni- versal Exposition, St. Louis, 1904; Medal

of the third class, Carnegie Institute, 1905; Thomas B. Clarke Prize, National Academy of Design, 1905; Carnegie Prize, Society of American Artists, 1906; Walter Lippincott Prize, Pennsylvania Academy of the Fine Arts, 1906; Ses- nan Gold Medal, Pennsylvania Acad- emy of the Fine Arts, 1940

113—Ecola*

144—Isles of Shoals*

115—Winter Nightfall in the City*

136—Gloucester Inner Harbor*

117—Isles of Shoals*

118—The Mulberry Tree*

119—Brooklyn Bridge*

120—Fifth Avenue*

12i—Bornero Hill*

122—The Old Elm*

123—Paris; Winter Day*

124—-Village of Old Lyme*

125—Cat Boats, Newport*

126—Mt. Hood from Portland, Oregon

CHILDE HASSAM 119—Brooklyn Bridge

127—Plaza Centrale and Fort Cabanas, Ha- vana*

128—Sunlight through the Leaves*

129—The Cider Jugs*

130—Across the Park*

13{—Mlorning in the Desert*

132—October*

133—Entrance to the Siren’s Grotto, Isle of Shoals*

134—Northeast Headlands‘

135—Spring, Navesink Highlands*

136—Cliffe Rock, Appledore*

137—Sylph’s Rock, Appledore*

1383—The Messenger Boy*

139—Sunrise in the Desert*

140—Afternoon Sky; Harney Desert*

14J—Portrait of Mrs. David T. Honeyman*

142—Portrait of Liza*

143—Malheur Butte*

144—Evening, Appledore*

145—Pont Royal*

146—Northeast Headlands, Appledore*

147—The Bather*

148—The Mist* Ss 149—The Blue Sea and the Bather* 150—Ironbound*

Hawthorne, Charles W. New York, New York; born, Illinois, Mem- ber of the National Academy of Design, New York. Represented in the Worcester Museum, and in the Rhode Island School of Design. First Hallgarten Prize, National Academy of Design, 1904; Second Prize, Worcester Art Museum, 1904; Second Hallgarten Prize, National Academy of Design, 1906

{45J—Return with the Catch

Heider, Hans, Munich, Germany. Mem- ber of the Luitpold Association, Munich 152—Landscape

Charles W. Hawthorne

CHARLES W. HAWTHORNE 15J—Return with the Catch

feiss

Henri, Robert, New York, New York; born, Cincinnati, Ohio. Member of the Society of American Artists, National Academy of Design, and of the National Institute of Arts and Letters, New York; Fellowship of the Pennsylvania Acad- emy of the Fine Arts, Philadelphia. Represented in the Luxembourg, Paris; Picture purchased by the Carnegie Institute, Pittsburgh; Gallery of Art Association of Texas, Dallas, Texas; Columbus Gallery of the Fine Arts, Col- umbus, Ohio; Gallery of Art Association of New Orleans; Permanent Collection of the City of Spartansburg, South Caro- lina. Silver Medal, Pan-American Ex- position, Buffalo, 1903; Silver Medal,

Universal Exposition, St. Louis, 1904; Harris Prize, Art Institute of Chicago,

1905; Gold Medal, Art Club of Phila- delphia

153—Portrait

154—Portrait

Robert Henri

Hildebrandt, Howard Logan, New York, New York; born, Allegheny, Pennsylvania. Member of the American Water Color Society, New York. Rep- resented in the John Herron Art Insti- tute, Indianapolis. Evans Prize, Amert- can Water Color Society, 1906

155—Connecticut Landscape

Hopkinson, Charles, Boston, Massachu- setts; born, Cambridge, Massachusetts, Bronze Medal, Pan-American Exposi- tion, Buffalo, 1904; Bronze Medal, Uni- versal Exposition, St. Louis, 1904; Sec- ond Prize, Worcester Art Museum, 1902 and 1905

156—Arranging Flowers

rae ne ve.

ROBERT HENRI 153—Portrait

EHornel, E. A,, Kirkcudbright, Scotland; born, Baccus Marsh, Australia. Member of the International Society of Sculp- tors, Painters and Gravers, Society of ‘Twenty-five Painters, Royal British-Co- lonial Society of Artists, London, and of the Royal Glasgow Institute. Repre- sented in collections in St. Louis, Buffalo, Toronto, Adelaide, Glasgow, Liverpool, Leeds, Manchester, Bradford, Hull, Bath, Brighouse, Rochdale, Bury, Hudders- field, and in the Modern Arts Associa- tion of Scotland. Honorable Mention, Carnegie Institute, 1909

157—The Chase

How, Beatrice, Paris, France. Associate Member, Société Nationale des Beaux- Arts, Paris. Represented in the National Collection, Paris. Medal of the third class, Orleans, 1905

158—Baby Asleep

159—An Old Man at Volendam

EK. A. Hornet

; Hughes-Stanton, H., London, England, Associate of the Royal Society of Paint- ers in Water Colours, London; Member of the Royal Institute of Oil Painters, and of the Pastel Society, London. Repre- sented in the Chantrey Bequest Collec- tion, Tate Gallery, London; Luxem- bourg, Paris; and in corporation galleries at Liverpool, Bradford, Brighton, and Aberdeen. H. C,, Salon, Paris; Gold Medal, Salon, Paris, 1907; Gold Medal, Salon, Paris, 1908

160—The Picnic, Pas de Calais, France

16J—Noon, Avignon, France

Hurley, Edward Timothy, Newport, Kentucky; born, Cincinnati, Ohj‘o, Member of the Society of Western Art- ists; Cincinnatt Art Club

162—The New Year

Edward Timothy Hurley

E, A. HORNEL

157—The Chase

% ie

Huys, Modest, Wareghem, Flanders, Bel- gium

163—Village Festival in Flanders

J64—A Little Corner in a Village Festival

Jeanniot, Pierre-Georges, Paris, France; born, Geneva, Switzerland. Member of the Société National des Beaux-Arts, Paris; Royal Society of Painter-Etchers, London; Secession Society, Vienna; Se- cession Society, Berlin; Secession Society, Munich. Represented in the Luxem- bourg, Paris, and in the museums of Christiania, Nancy, and Pau. Honora- ble Mention, Salon, Paris, 1882; Medal of the third class, Salon, Paris, 1884; Sil- ver Medal, Exposition Universelle, Paris, 1900; H. C., Safon, Paris; Knight of the Legion of Honor, France

165—The Green Dress

John, Augustus, London, England. 166—Portrait of William Nicholson

Kampf, Arthur, Berlin, Germany; born, Aachen, Germany. Member of the Royal Academy, Berlin, and of the Royal Academy, Dresden. Represented in the National Gallery, Berlin; and in the Museums of Munich, Dresden, Leip- sic, Karlsruhe, Diisseldorf, and Madge- burg. Medal of the second class, Munich, 1890; Medals: Berlin, Paris, Barcelona, Dresden, Salzburg, and Vienna, 1892; Honorable Mention, Carnegie Institute, 1908

167—The Fortune Teller

168—Behind the Scenes

Keller, H. G., Cleveland, Ohio; born, Cleveland. Silver Medal, Munich, 1902 169—Disturbed

Arthur Kampf

Kendall, William Sergeant, New York, New York; born, Spuyten Duyvil, New York. Member of the National Acad- emy of Design, New York. Repre- sented in the Corcoran Gallery of Art, Washington, D. C.; Metropolitan Mu- seum of Art, New York; Pennsylvania Academy of the Fine Arts, Philadelphia. Honorable Mention, Salon, Paris, 1891; Medal, Columbian Exposition, Chicago, 1893; Lippincott Prize, Pennsylvania Academy of the Fine Arts, 1894; Tenn- essee Centennial Exposition, Nashville, 1897; Second Prize, Worcester Art Mu- seum, 1900; Bronze Medal, Exposition Universelle, Paris, 1900; Medal of the third class, Carnegie Institute, 1900; Sec- ond Prize, Worcester Art Museum, 1901; Silver and Bronze Medals and Honorable Mention, Pan-American Exposition, Buffalo, 1903; Shaw Prize, Society of American Artists, 1901; Shaw Prize, So-

ciety of American Artists, 1903; Gold Medal, Universal Exposition, St. Louis, 1904; Isidor Memorial Medal, National Academy of Design, 1908

170—Alison

17i—On Narrow River

Knight, Laura, Newlyn, Cornwall, Eng- land. Associate of the Royal Water Col- out Society, London. Represented in collections in New Zealand, Rochdale, and Brighton

172—Boys Bathing

Koehler, Robert, Minneapolis, Minnesota; born, Hamburg, Germany. Honorary Member of the Minnesota State Art So- ciety; Member of the Minneapolis So- ciety of Fine Arts, and of the Minne- apolis Artists’ League. Represented in the Pennsylvania Academy of the Fine Arts,

Philadelphia; Public Library, Minneapo- lis; Commercial Club, Minneapolis. Bronze and Silver Medals, Munich Academy; Honorable Mention, Paris, 1889; Knight of the Order of St. Michael of Bavaria

173—Winter View of the “Radisson”

4

Krijitzki, Constantin, St. Petersburg, Russia. Member of the Academie des Beaux-Arts, St. Petersburg. Represented in the Academie des Beaux-Arts, and in the Museum of the Emperor Alexander Ill, St. Petersburg. Medal of the second class, International Exposition, Munich, 1909

174—Winter Morning

Langley, Walter, Penzance, England, Member of the Royal Institute of Paint- ers in Water Colours, and of the Royal British-Colonial Society of Artists, Lon- don. Represented in collections in Liver- pool, Leeds, Hull, and Birmingham

175—The Fisherman’s Widow

La Thanguve, H. H., Graffham, Pet- worth, Sussex, England, Associate of the Royal Academy of Arts, London, Represented in the Chantrey Bequest Collection, Tate Gallery, London; City Art Gallery, Manchester; City Art Gal- lery, Liverpool; corporation art galleries and museums in Oldham, Bradford, and Nottingham, England; Art Gallery and Industrial Museum Aberdeen; Glas- gow Art Gallery and Museum, Scot- land; Western Australian Museum and Art Gallery; National Art Gallery of New South Wales. Silver. Medal, Expo- sition Universelle, Paris, $900

176—Ligurian Grapes

La Touche, Gaston, St. Cloud, France; born, St. Cloud. Member of the Société des Artistes Francais, Société Nationale des Beaux-Arts, and of the Société Inter-

H. H. La Thangue

GASTON LA TOUCHE $78—Italian Comedians

nationale de fa Peinture 4 [’Eau, Paris. Represented in the Luxembourg, Paris. Medal» of the first class, Salon, Paris, 1884; Medal of the second class, Salon, Paris, 1888; Silver Medal, Exposition Universelle, Paris, 1900; Officer of the Legion of Honor, France, 900; Medal of the second class, International Exposition, Munich, 1903; Grand Prize, Interna- tional Exposition, Venice, 1903; Medal of the first class, Carnegie Institute, 1907; H. C., Salon, Paris

177—The Bridge des Arts

178—Italian Comedians

Leader, B. Eastlake, Gomshall, Guild- ford, England 179—A Moonlit Common

Leigh, W.R., New York, New York; born, West Virginia. Honorable Men- tion, Salon, Paris, 1892; two Silver and three Bronze Medals, Munich Academy

180—Loitering

Gaston La Touche

Lerolle, Henry, Paris, France; born, Paris. Member of the Société Nationale des Beaux-Arts, Paris. Represented in the Luxembcurg, Paris. Medal of the third class, Salon, Paris, 1879; Medal of the first class, Salon, Paris, 1880; Knight of the Legion of Honor, France, 1889; Gold Medal, Exposition Universelle,

_ Paris, 1900 18{—Young Girl With Flowers

Le Sidaner, Henri Eugene, Paris, France; born, Life Maurice, France. Member of the Société Nationale des Beaux-Arts, Paris, and of the Inter- national Society of Sculptors, Painters and Gravers, London. Represented in the Luxembourg and Petit Palais, Paris; Museums of Douai, Pau, and Dunkerque, France; Dublin, Belfast, Ghent, and Buenos Ayres. Medal of the third class,

Henry Leroile

HENRI EUGENE LE SIDANER 182—Houses on the Canal, Bruges

Paris, 1891; Bronze Medal, Exposition Universelle, Paris, 1900; Gold Medal, Munich, 1903; Honorable Mention, Car- negie Institute, 1903; Medal of the sec- ond class, Carnegie Institute, 1908 182—Houses on the Canal, Bruges* 183—The Table in the Moonlight*

Lever, R. Hayley, St. Ives, Cornwall, England. Member of the Royal Society of British Artists, London, Represented in Adelaide Art Gallery, South Australia

184—Port of St. Ives, Cornwall

Lindner, Moffat P., St. Ives, Cornwall, England; born, England. Member of the Institute of Oil Painters, of the Royal Institute of Painters in Water Colouts, and of the Royal British-Colonial Society

N;

Henri Eugéne Le Sidaner

of Artists, London. Represented in the Corporation Art Gallery and Museum, Bradford; Corporation Art Gallery, Hull; Walker Art Gallery, Liverpool; New Zealand Academy of Fine Arts, Wellington, New Zealand. Medal, South African International Exposition, 1893; Bronze Medal, Exposition Universelle, Paris, 1900

185—The Approach to Amsterdam: Sunset

Little, Philip, Salem, Massachusetts. Represented in the Pennsylvania Acad- emy of the Fine Arts, Philadelphia; Col- lection of Society of Fine Arts, Minne- apolis, Minnesota

186—The Glory of October

he

Moffat P. Lindner

Lockwood, Wilton, Boston, Massachusetts; born, Wilton, Connecticut. Associate of the National Academy of Design, New York. Represented in Carnegie Institute; Corcoran Gallery of Art, Washington, D. C.; Worcester Art Museum; Boston Museum of Fine Arts. Honorable Men- tion, Carnegie Institute, 1897; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1898; Silver Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Ex- position, Buffalo, 1904; Silver Medal, Universal Exposition, St. Louis, 1904

187—Portrait of Mrs. Frederick Law Olm-

stead

188—Dr. John W. Elliot

Loiseau, Gustave, Paris, France; born, Paris 189—The Banks of the Eure*

Philip Little

Lomont, Eugene, Haute-Sadne, France. Member of the Société Nationale des Beaux-Arts, Paris. Represented in the Luxembourg, Paris. Medal of the third class, Société des Artistes Francais; Medal of the second class, Exposition Universelle, Paris, 1900

190—Woman in Blue

Lorimer, John Henry, Edinburgh, Scot- land; born, Edinburgh. Corresponding Member of the Institute of France. Member of the Royal Scottish Acad- emy; Society of Portrait Painters. As- sociate of the Royal Society of Painters in Water Colours. Represented in the Luxembourg, Paris; the National Gal- lery of Scotland; and in collections in Rochdale, Glasgow, and Philadelphia Medal of the second class, Salon, Paris, 1896; Medal of the third class, Salon, Paris, 1902; Gold Medal, Paris, 1900

193—Reverence to Midsummer’s Eve*

Wilton Lockwood

Mac Cameron, Robert, New York, New York; born, Chicago. Member of the Paris Society of American Artists. Rep- resented in the Corcoran Gallery of Art, Washington, D. C., and in a collection at Philadelphia. Honorable Mention, Salon, Paris, 1904; Medal of the third class, Sa- lon, Paris, 1906; Medal of the second class, Salon, Paris

192—Portrait of Mrs. John A. Burden*

Mann, Harrington, London, England. Member of the Society of Portrait Paint- ets, National Portrait Society, and of the International Society of Sculptors, Paint- ets and Gravers, London. Represented in the National Gallery of Victoria, Mel- bourne, Australia, and in the Municipal Museum, Ghent, Belgium

193—Mr. John Stevenson, Jr. 194—-Mrs. J. Horace Harding

Harrington Mann

’

Mautra, Maxime, Paris, France; born, Nantes, France 195—Low Tide: Afternoon at Havre*

Melchers, Gari, New York, New York; born, Detroit, Michigan. Member of the National Academy of Design, New York; Société Nationale des Beaux-Arts, Paris; Royal Academy, Berlin; Interna- tional Society of Sculptors, Painters and Gravers, London; Secession Society, Munich; Secession Society, Vienna; So- ciety of American Artists, Paris. Repre- sented in the Royal Galleries of Dresden and Munich; Luxembourg, Paris; Car- negie Institute; National Gallery, Berlin; Pennsylvania Academy of the Fine Arts, Philadelphia; Art Institute of Chicago; Detroit Museum of Art; National Gal- lery, Rome. Honorable Mention, Salon, Paris, 1886; Medal of the first class, Am- sterdam, 1887; Medal of the third class,

Salon, Paris, 1888; Medal of the first class, Munich, 1888; Grand Prize, Paris, 1889; First Prize, Art Institute of Chi- cago, 1894; Medal of Honor, Berlin, 1891; Medal of Honor, Antwerp, 1894; Gold Medal, Pennsylvania Academy of the Fine Arts, 1896; Medal of the first class, Vienna, 1898; Medal of the first class, Dresden; Medal of the first class, Pan-American Exposition, Buffalo, 1903; Gold Medal, Universal Exposition, St. Louis, 1904; Officer of the Legion of Honor, France; Officer of the Order of the Red Eagle of Prussia; Officer of the Or- der of St. Michael of Bavaria 196—Portrait of Arthur T. Aldis*

Mesdag, Hendrik Willem, The Hague, Holland; born, Groningen, Holland. President of Honor of the Pulchri Studio, The Hague; Member of the Holland

b /

Hendrik Willem Mesdag

Teeken-Maatschappij, The Hague; Arti et Amicitiae, Amsterdam; Société Na- tionale des Beaux-Arts, Paris. Repre- sented in the Luxembourg, Paris, and in collections in New York, Detroit, Mu- nich, Budapest, Amsterdam, The Hague, Brussels, Rotterdam, Frankfort, and Diis- seldorf. Medal of the third class, Expo- sition Universelle, Paris, 1878; Gold Medal, Exposition Universelle, Paris, 1889; Officer of the Legion of Honor, France, 1889; Gold Medal, Exposition Universelle, Paris, 1900. H. C., Société des Artistes Francais; Commander of the Order of St. Michael of Bavaria, Leopold of Belgium, the Danebrog of Denmark, and of the Crown of Italy; Commander of the Order of Orange-Nassau; Com- mander of the Orders of the Lion of the Netherlands and of the White Falcon 197—Storm at the beach of Scheveningen* 198—Evening on the Dutch Coast*

Metcalf, Willard L. New York, New York; born, Lowell, Massachusetts. Member of the Ten American Painters; American Water Color Society, New York; Institute of Arts and Letters. Represented in the Hillyer Art Gallery, Smith College, Northampton, Massachu- setts; National Gallery, Washington, D.C.; Corcoran Gallery of Art, Washington, D. C.; Boston Art Museum; Pennsylva- nia Academy of the Fine Arts, Philadel- phia; Cincinnati Art Museum; Worces- ter Art Museum; St. Botolph Club, Bos- ton. Honorable Mention, Salon, Paris, 1888; Bronze Medal, Columbian Expo- sition, Chicago, 1893; Webb Prize, Soci- ety of American Artists, New York, 1896; Honorable Mention, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Exposition, Buffalo, 190}; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia,

1907; First Prize and Corcoran Gold Medal, First Annual Exhibition, Cor- coran Gallery of Art, Washington, D. C., 1907

199—The Silver Grove

200—Morning Shadows

20i3—May-time

Meyner, Walter, New York, New York 202—Winter Glory

Miller, Richard E,, Paris, France. Rep- resented in the Luxembourg, Paris; Musé de la Ville de Paris; and in col- lections at Antwerp, Belgium, and Ven- icee H. C., Paris Salon; Knight of the Legion of Honor, France

203—The Chinese Dress

Molarsky, Morris, Philadelphia, Penn- sylvania. Fellowship Prize, Pennsylva- nia Academy of the Fine Arts; Honora- ble Mention, Philadelphia Art Club

204—Portrait of Young Woman in White

WILLARD F. METCALF 20i—May Time

Monet, Claude, Paris, France; born, Paris 205—Charing Cross Bridge* 206—Morning on a Branch of the Seine, near Giverny*

Moret, Henry; born, Cherbourg, France 207—Harbor at Fortz-Guen (Finistére)*

Morrice, James Wilson, Paris, France; born, Montreal, Canada. Member of the Société National des Beaux-Arts, and of the Salon d’Automne, Paris; International Society of Sculptors, Painters and Grav- ets, London. Represented in the Lux- emboutg, Paris; Pennsylvania Academy of the Fine Arts, Philadelphia; Palace of Arts, Lyons, France

208—Quebec: Winter

Muhrman, Henry, Meissen, Saxony, Germany; born, Cincinnati, Ohio, Mem- ber of the International Society of Sculp- tors, Painters and Gravers, London; Hon- otaty Member of the Secession Society, Munich, and of the Secession Society, Berlin. Represented in the Pinakothek, Munich, and in the Glasgow and Dublin Art Galleries. Medal, Columbian Expo- sition, Chicago, 1893; Gold Medal, Inter- national Exhibition, Munich, 1897; Gold Medal, International Exhibition, Dresden, 1901; Gold Medal, Universal Exposition, St. Louis, 1904

209—Highgate* 210—House and Autumn Foliage*

James Wilson Morrice

J. FRANCIS MURPHY 214—Landscape

Muirhead, John, London, England. Member of the Royal Society of British Artists, London, and of the Royal Scot- tish Society of Painters in Water Colours. Represented in the Museum, Hobart, Tasmania. Silver and Bronze Medals, Crystal Palace, London

211—The Calm Before a Storm, St. Ives (Winter) 212—Breton Peasants Dancing

Mutphy, Hermann Dudley, Boston, Massachusetts; born, Marlboro, Mlassa- chusetts. Represented in the Albright Art Gallery, Buffalo, and in the Art In- stitute of Chicago. Bronze Medal, Pan- American Exposition, Buffalo, 1904; Sil- ver Medal, Universal Exposition, St. Louis, 1904

213—The Palazzo Sagredo

John Muirhead

Murphy, J. Francis, New York, New York; born, Oswego, New York. Mem- ber of the National Academy of Design, New York. Represented in the Metro- politan Museum of Art, New York, and in the Corcoran Gallery of Art, Wash- ington, D. C. Second Hallgarten Prize, National Academy of Design, 1885; Webb Prize, Society of American Artists, 1887; Medal, Columbian Exposition, Chicago, 1893; Honorable Mention, Ex- position Universelle, Paris, 1900; Silver Medal, Pan-American Exposition, Buf- falo, 1903; Gold Medal, Charleston Ex- position, 1902; Carnegie Prize, Society of American Artists, 1902; Silver Medal, Universal Exgosition, St. Louis, 1904; Inness Medal, National Academy of De- sign, 1910

214—Landscape

Hermann Dudley Murphy

ALBERT NEUHUYS 215—Rustic Interior

Neuhuys, Albert, Amsterdam, Holland; born at Utrecht. Knight in the Order of the Netherland Lion; Officer in the Or- der of Saint Michel of Bavaria; Member of the Arti et Amicitiae, Amsterdam. Represented in Tyler’s Museum, Haar- lem; The National Museum, Amster- dam; and in collections in Budapest, Dordrecht, The Hague, Munich, and New York. Silver Medal, Exposition Universelle, 1889, Paris; Silver Medal, Vienna, 1894; Medal of the first class, Munich, 1905; Medals: Chicago, Buda- pest, and Amsterdam

215—Rustic Interior*

Nichols, Henry Hobart, New York, New York; born, Washington, D. C. Member of the Society of Washington Artists; New York Water Color Club

236—Actoss the Valley

J. Francis Murphy

Nicholson, William, The Grange, Rot- tingdean, Sussex, England 237—Carlina*

Nissl, Rudolf, Munich, Germany. Mem- ber of the Secession Society, Munich 218—Interior

Ochtman, Leonard, Cos Cob, Connecti- cut; born, Zonnemaire, Holland. Mem- ber of the National Academy of Design, National Institute of Arts and Letters, Society of American Artists, Society of Landscape Painters, American Water Color Society, and New York Water Color Club, New York; Brooklyn Art Club. Represented in the Brooklyn In- stitute of Arts and Sciences; Corcoran

Albert Neuhuys

LEONARD OCHTMAN 220—October Haze

Gallery of Art, Washington, D. €.; Na- tional Gallery, Washington, D. C.; ‘Col- umbus Gallery of Fine Arts; Museum of Art, St. Louis; Richmond Art Club; Denver Art Club; Lincoln Art Associa- tion. Prize, Brooklyn Art Club, 189%; Medal, Columbian Exposition, Chicago, 1893; Gold Medal, Philadelphia Art Club, 1894; Silver Medal, Pan-American Exposition, Buffalo, 1904; Silver Medal, Charleston Exposition, 1902; Shaw Prize, Society of American Artists, 1902; In- ness Gold Medal, National Academy of Design, 1903; Webb Prize, Society of American Artists, 1904; two Gold Med- als, Universal Exposition, St. Louis, 1904; Second Corcoran Prize, Washing- ton Society of Artists, 1905 219—Winter Light* 220—October Haze*

Leonard Ochtman

Olsson, Julius, St. Ives, Cornwall, Eng- land; born, London, England. Member of the Institute of Oil Painters, London, and of the Société Internationale des Peintres, Paris. Represented in the cor- poration museums and art galleries, Birmingham, Rochdale, Hull, and Old- ham; Victoria Institute, Worcester, Eng- land; National Art Gallery of South Australia, Adelaide. Honorable Men- tion, Carnegie Institute, 1900; Honorable Mention, Exposition Universelle, Paris, 1900; Medal of the third class, Salon, Paris, 1903; H. C., Salon, Paris, 1906

22i1—The Swell of Summer Seas

Oppenheimer, Joseph, Berlin, Germany. Associate of the Society of Sculptors, Painters and Gravers, London; Member of the Secession Society, Berlin. Medal of the second class, International Art Exhibition, Munich, 1910

222—Chinese Porcelain

Awarded Honorable Mention, Carnegie Institute, 19r0

Julius Olsson —

JOSEPH OPPENHEIMER

222—Chinese Porcelain. Awarded Honorable Mention, Car- negie Institute, 1940

Orpen, ‘William, London, England. As- sociate of the Royal Academy of Arts, London; Member of the Royal Hiber- nian Academy of Arts, Dublin; Interna- tional Society of Sculptors, Painters and Gravers; New English Art Club; Por- trait Painter Society of Twelve. Repre- sented in collections in Belfast, Leeds, Dublin, and Oldham

223—Portrait of the Artist

Awarded Medal of the First Class, Carnegie Institute, r9r0

Park, Stuart, Glasgow, Scotland. Mem- ber of the International Society of Sculp- tors, Painters and Gravers, London. Represented in collections in St. Louis, Buffalo, and Glasgow

224—Red and White Roses

EParshall, De Witt, New York, New York; born, Buffalo, New York. Rep- resented in the Metropolitan Museum of Art, New York

225—Caverns of the Deep

Pearce, Charles Sprague, Paris, France. Associate of the National Academy of Design, and of the National Institute of Arts and Letters, New York; Society of American Painters, Paris. Represented — in the Art Institute, Chicago; Albright Art Gallery, Buffalo; Congressional Li- brary, Washington, D. C. Gold Medals: Boston, Paris, Munich, Vienna, San Francisco, Atlanta; Medal of Honor, Ghent, and Berlin; Knight of the Legion of Honor, France; Knight of the Order of the Red Eagle, Prussia; Knight of the Order of the Danebrog of Denmark; Knight of the Order of Leopold of Bel- gium

226—The Laughing Girl*

Pearce, Edgar, Philadelphia, Pennsyl- vania 227—Interior with Figures

Camille Pissarro

LE LISI T I eee

WILLIAM ORPEN

223—Portrait of the Artist. Awarded Medal of the First Class, Carnegie Institute, 1910

2Pissarro, Camille, Paris, France; born, Normandy, France 228—Sunset on a Fogey Day: Rowen*

Pootre, Henry Rankin, Orange, New

Jersey 229—The Cloud

Priestman, Arnold, Bradford, England. Member of the Imperial Arts League. Represented in the Corporation Art Gal- lery, Bradford, and in the City Art Gal- lery, Leeds, England

230—Evening

Henry Rankin Poore

Pryde, James, London, England. Mem- ber of the International Society of Sculp- tots, Painters and Gravers, London. Represented in the Glasgow Art Gallery and Museum (Kelvingrove)

233—An Interior

Ranger, Henry W., New York, New York; born, New York. Associate of the National Academy of Design, New York; Member of the American Water Color Society, New York. Bronze Medal, Exposition Universelle, Paris, 1900; Silver Medal, Pan-American Ex- position, Buffalo, 1901; Gold: Medal, Charleston Exposition, 1902

232—East End of Fisher’s Island*

Redfield, Edward Willis, Center Bridge, Pennsylvania; born, Bridgeville, Dela- wate. Fellowship of the Pennsylvania

Arnold Priestman

HENRY W. RANGER a, 232—East End of Fishet’s Island

Academy of the Fine Arts, Philadelphia; Member of the National Institute of Arts and Letters, New ‘York; Society of American Artists, New York; Society of American Painters, Paris. Repre- sented in the Pennsylvania Academy of the Fine Arts; Art Institute of Chicago; John Herron Art Institute, Indianapolis; Cincinnati Museum of Art; New Or- leans Art Association; Corcoran Gallery of Art, Washington, D. C.; Telfair Academy of Arts and Sciences, Savan- nah, Georgia; Brooklyn Institute of Arts and Letters; Shaw Collection, New York; Carnegie Institute; Art Club of Philadelphia; Luxembourg, Paris; Detroit Museum of Art; Art Museum, St. Louis. Gold Medal, Philadelphia Art Club, 1896; Bronze Medal, Exposition Universelle, Paris, 1900; Bronze Medal, Pan-American Ex- position, Buffalo, 190$; Temple Gold

Henry W. Ranger

Medal, Pennsylvania Academy of the Fine Arts, 1903; Second Hallgarten Prize, National Academy of Design, 1904; Shaw Fund Prize, Society of American Artists, 1904; Silver Medal, Universal Exposition, St. Louis, 1904; Medal of the second class, Carnegie Insti- tute, 1905; Sesnan Gold Medal, Pennsyl- vania Academy of the Fine Arts, 1905; Webb Prize, Society of American Artists, 1906; Gold Medal of Honor, Pennsylva- nia Academy of the Fine Arts, 1907; Third Prize, Corcoran Gallery of Art, Washington, D. C., 1907; Honorable Mention, Salon, Paris, 1908; First Prize, Corcoran Gallery of Art, Washington, D. C., 1909; Medal of the third class, Salon, Paris, 1909; Harris Prize and Medal, Chicago Art Institute, 1909; Cor- coran Gold Medal, Washington, D, C., 1909 233—The Briar Patch* 234—The White House*

Edward Ww. Redfield

A eee ee PAO Tse

EDWARD W. REDFIELD 234— The White House

Reid, Robert, New York, New York; born, Stockbridge, Massachusetts. Asso- ciate of the National Academy of De- sign; Member of the Fen American Painters, and of the National Institute of Arts and Letters, New York. Repre- sented in the Metropolitan Museum, New York; Corcoran Gallery of Att, Washington, D. C. Medal, Columbian Exposition, Chicago, 1893; Clarke Prize, National Academy of Design, 1897; First Hallgarten Prize, National Academy of Design, 1898; Silver and Gold Medals, Exposition Universelle, Paris, 1900; Sil- ver Medal, Pan-American Exposition, Buffalo, 1901; Silver Medal, Universal Exposition, St. Louis, 1904

235—The Hill Top

Renoit, Pierre Auguste, Paris, France; born, Limoges, France. Knight of the Legion of Honor, France, 1900

236—Young Girl Holding a Basket of Flowers*

Riviere, Briton, London, England. Member of the Royal Academy of Arts, London. Represented in Chantrey Be- quest collection, Tate Gallery; Guild Hall, London, and in the city galleries of Liverpool, Manchester, Birmingham, and Nottingham. Medal of the third class, Exposition Universelle, Paris, 1878; Bronze Medal, Exposition Universelle, Paris, 1889; Medal of the second class, Paris International Exhibition, 1900

237—Androclus and the Lion

Pierre Auguste Renoir

EDWARD F, ROOK

239—Lautel. Awarded Medal of the Third Class, Carnegie Instt- tute, 19140

ET ete RES ei ey

Robinson, William S., New York, New York; born, East Gloucester, Massachu- setts. Associate of the National Acad- emy of Design, New York. Honorable Mention, Exposition Universelle, Paris, 1900; Honorable Mention, Pan-Ameri- can Exposition, Buffalo, 1901; Bronze Medal, Universal Exposition, St. Louis, 1904

238—Midsummer Night

Rook, Edward F., Old Lyme, Connecti- cut; born, New York. Associate of the National Academy of Design, New York. Represented in the Pennsylvania Acad- emy of the Fine Arts, Philadelphia; Art Museum, Cincinnatii Temple Gold Medal, Pennsylvania Academy of the Fine Arts, 1898; Bronze Medal, Pan-

William §. Robinson

“American Exposition, Buffalo, 190S; two Silver Medals, Universal Exposition, St. Louis, 1904

239—Laurel

Awarded Medal of the Third Ci lass, Carnegie Institute, 7910

Rosen, Charles, New Hope, Pennsylva- nia; born, Reagantown, Pennsylvania. Represented in the collections of the Minneapolis Society of Fine Arts, and the Duluth Art Association

240—The Apple Tree

244—Old Sycamore: Winter

Roth, Ernest David, New York, New York; born, Stuttgart, Germany

242—The Yellow House

243—Landscape

Sandor, Mathias, New York, New York; born, Hungary 244—The Enchanted Mesa

Edward “F. Rook

Sargent, John S., London, England; born, Florence, Italy. Member of the National Academy of Design, New York; the Royal Academy of Arts, London; Soci- ety of American Painters, and Société Nationale des Beaux-Arts, Paris. Medal of the second class, Salon, Paris, 1881; Medal of Honor, Exposition Universelle,

- Paris, 1889; Knight of the Legion of

- Honor, France, 1889; Bronze Medal, Columbian Exposition, Chicago, 1893; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, 1894; Medal of Honor, Exposition Universelle, Paris, 1900; Gold Medal, Pan-American Expo- sition, Buffalo, 1901; Converse Gold Medal, Pennsylvania Academy of the Fine Arts, 1903; Gold Medal, Berlin, 1903; Grand Prize, Universal Exposi- tion, St. Louis, 1904; Grand Medal of Honor, Liege, 1905; Carol H. Beck Gold

Af

John 8. Sargent

Medal, Pennsylvania Academy of the Fine Arts, 1909

245—Portrait of Miss Brice*

246—Portrait of Charles J. Paine*

Schofield, W. Elmer, Philadelphia, Penn- sylvania; born, Philadelphia. Member of the Royal Society of British Artists, London; National Academy of Design and Royal Society of Oil Painters, New York; Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia. Represented in the Art Museum, Cincin- nati; Pennsylvania Academy of the Fine Arts; Corcoran Gallery of Art, Washing- ton, D. C.; Metropolitan Museum of Art, New York; John Herron Art Institute, Indianapolis; Albright Art Gallery, Buf- falo; Carnegie Institute. Webb Prize, Society of American Artists, 1900; Hon- otable Mention, Exposition Universelle, Paris, 1900; Honorable Mention, Carne- gie Institute, 1900; First Hallgarten Prize,

W. Elmer Schofield

JOHN S. SARGENT 245—Portrait of Miss Brice

National Academy of Design, 1901; Sil- ver Medal, Pan-American Exposition, Buffalo, 1901; Sesnan Gold Medal, Penn- sylvania Academy of the Fine Arts, 1903; Medal of the first class, Carnegie Institute, 1904; Silver Medal, Universal Exposition, St. Louis, 1904

247—The Frozen Mill Dam*

248—March Sunlight*

Schramm-Zittau, Rudolf, Munich, Ger- many. Member of the Secession Society, Munich. Represented in the New Pina- kothek, Munich; National Gallery, Ber- lin; Civic Museum, Magdeburg, Ger- many. Medal of the second class, Inter- national Exposition, Munich, 1905; Medal of the second class, Dresden, 1901; Medal of the third class, Salon, Paris, 1901; Medal of the first class, Interna- tional Exposition, Venice, 1903

249—Carlsplatz, Munich* 250—Ducks*

Rudolf Schramm-Zittau

Schwartz, Andrew T., New York, New York; born, Louisville, Kentucky. Member of the Architectural League, and of the National Society of Mural Painters, New York; Citcelo Artistica, Rome. Lazarus Scholarship to Rome, 1899

2513—Wild Flowers

252—Primitive Family

Sewell, Robert V. V., Oyster Bay, Long Island, New York; born, New York. Member of the National Acad- emy of Design, Architectural League, and of the Society of Mural Painters, New York. First Hallgarten Prize, Na- tional Academy of Design, New York, 1889; Silver Medal, Pan-American Ex- position, Buffalo, 1901; Silver Medal, St. Louis Exposition, 1904

253—Psyche seeks Love beyond the River of the Dead

Andrew T. Schwartz

W. ELMER SCHOFIELD 248—Mlarch Sunlight

Shannon, Charles, London, England. Member of the International Society of Sculptors, Painters and Gravers, London; Associate of the Société Nationale des Beaux-Arts, Paris. Represented in the Luxembourg, Paris, and in collections in Manchester, Mannheim, Munich, and Vienna. Gold Medal, Munich, 1897; Silver Medal, Paris Salon, 1909

254—Mliss Lillah Macarthy in the Dress of Dofia Ana in Bernard Shaw’s “Don Juan in Hell”

Shannon, James Jebusa, London, Eng- land; born, Amsterdam, New York. Member of the Royal Academy of Arts, London; Société Nationale des Beaux- Arts, Paris. Represented in the Tate Gallery, London; Carnegie Institute; Cor- coran Gallery, Washington; and in a col- lection in Copenhagen. Gold Medal, Ex-

position Universelle, Paris, 1889; Medal of the first class, Berlin; Medal of the second class, Munich; Gold Medal, Car- negie Institute, 1897; Lippincott Prize, Pennsylvania Academy of the Fine Arts, Philadelphia, 1899; Silver Medal, Expo- sition Universelle, Paris, 1900; Gold Medal, Pan-American Exposition, Buf- falo, 1904; Gold Medal, Universal Expo- sition, St. Louis, 1904; Gold Medal, In- ternational Exposition, Venice, 1906 255—The Infant Bacchus*

Simon, Lucien, Paris, France; born, Paris. Member of the Société Nationale des Beaux-Arts, Paris; Secession Society, Berlin; Secession Society, Vienna. Rep- resented in Museums in Paris, Philadel- phia, Dresden, Budapest, Venice, Liege, Stockholm, and in the Carnegie Institute, Honorable Mention, Salon, Paris, 1885; Medal of the third class, Salon, Paris,

Lucien Simon

LUCIEN SIMON 256-—Girl with Carnations

1890; Honorable Mention, Carnegie In- stitute, 1899; Gold Medal, Exposition Universelle, 1900; Medal of the first class, International Exposition, Munich, 1903; Medal of the first class, Carnegie Institute, 1905; Knight of the Legion of Honor, France; Gold Medals, Venice and Barcelona 256—Girl with Carnations

Sisley, Alfred, Paris, France; born, Paris, 1840; died, Morét, France, 1899 257—Flood at Morét*

Sorolla y Bastida, Joaquin, Mladrid, Spain. Corresponding Member of the Academy of France. Represented in the Luxembourg, Paris, and in the museums of Madrid, Udine, Berlin, and St. Louis. Grand Prix, Paris, 1900

258—President Taft

Alfred Sisley

Sotter, George W., Pittsburgh, Pennsyl- vania

259—The Mill Yard

260—A Pittsburgh Mill

Spencer, Robert, Point Pleasant, Penn- _ sylvania

264—Deserted Cottage

262—The Flume

Steer, P. Wilson, London, England. Member of the New English Art Club. Represented in the Tate Gallery, Lon- don; Gallery of Modern Art, Dublin; Melbourne Art Gallery; Uffizi Gallery, Florence; Welsh National Museum, Car- diff

263—Grande Place, Montreuil

Joaquin Sorolla y Bastida

P, WILSON STEER 263—Grande Place; Montreuil

Stehlin, | Caroline, New York, New York 264—Arrangement in Blue and White

Streeton, Arthur, London, England. Represented in National Galleries at Melbourne, Sydney, and Adelaide (Australia). Honorable Mention, Société des Artistes Francais, Paris; Gold Medal, Société des Artistes Francais, Paris

265—Australia Felix

Stevenson, R. Macaulay, Robinsfield, Scotland. Member of the International Society of Sculptors, Painters and Grav- ets, London; Royal Scottish Society of Water Color Painters; The Secession So- ciety, Munich. Represented in the mu- nicipal galleries of Barcelona, Weimar, and Glasgow; National Galleries of Ber- lin, Brussels, Munich, and Prague; Al-

bright Gallery, Buffalo; Museum of Fine Arts, St. Louis; Count Andressy’s collec- tion, Budapest; King of Italy’s collection; collection of Prince Luitpold, of Bavaria. Gold Medal, Munich, 1893; Diploma of Honor, Barcelona, 1894; Silver Medal, Brussels International Exposition, 1897 266—The Old Mill Dam

Stoddard, Alice Kent, Philadelphia, Pennsylvania

267—Gold Fish

Symons, George Gardner, Brooklyn, New York; born, Chicago, Illinois. Member of the Society of Western Artists, Chicago; Société Internationale des Beaux-Arts, Paris. Represented in the Metropolitan Museum of Art, New York; Museum of Arts, Cincinnati; and in a collection in

GEORGE GARDNER SYMONS 269—An Opalescent River

Lincoln, Nebraska. Carnegie Prize, Na- tional Academy of Design, New York, 1909

268—Snow Clouds

269—An Opalescent River

Tanner, Henry Ossawa, Paris, France; born, Pittsburgh, Pennsylvania. Mem- ber of the American Art Association and of the Society of American Ar- tists, Paris; Associate Member of the National Academy of Design, New York. Represented in the Luxembourg, Paris; Carnegie Institute; Pennsylvania Academy of the Fine Arts; Wilstach Collection, Philadelphia; Art Institute of Chicago. Honorable Mention, Salon, Paris, 1896; Medal of the third class, Salon, Paris, 1897; Medal of the second class, Exposition Universelle, Paris, 1900; Lippincott Prize, Pennsylvania Academy

Henry Ossawa Tanner

of the Fine Arts, 1900; Silver Medal, Pan-American Exposition, Buffalo, 1901; Silver Medal, Universal Exposition, St. Louis, 1904; Medal of the second class, Salon, Paris, 1906; Harris Prize, Art In- stitute, Chicago, 1906

270—Mary

273—The Disciples see Christ Walking on the Water

Taylor, Charles J., New York, New York; born, New York. Honorable Mention, Pan-American Exposition, Buf- falo, 1904

272—June

Thayer, Abbott H., Monadnock, New Hampshire 273—Winged Figure

Abbott H. Thayer

ABBOTT H. THAYER 273—Winged Figure

Thomason, Frances Q., Paris, France. Member of the Allied Artists’ Associa- tion, London; International Art League, Paris. Bronze Medal, Universal Expo- sition, St. Louis, 1904

274—In the Studio 275—The White Chimney

Thompson, Leslie P., Boston, Massachu- setts; born, Medford, Massachusetts. Member of the Boston Water Color Club. Bronze Medal, Universal Exposition, St. Louis, 1904

276—Girl in Profile

Tito, Ettore, Venice, Italy. Member of the International Society of Painting and Sculpture, Paris. Represented in the Luxembourg, Paris, and in collections in Venice, Rome, Budapest, Trieste, and Barcelona.e Knight of the Legion of

Honor, France; Gold Medal, Paris, 1900; Gold Medals: Vienna, Munich, Rome and Venice 277—Life 278—Returning from Fishing, near Venice

Tryon, Dwight William, New York, New York; born, Hartford, Connecticut. Member of the National Academy of Design, Society of American Artists, and of the American Water Color Society, New York. Represented in the Carne- gie Institute; Corcoran Gallery of Art, Washington, D. C.; Albright Art Gal- lery, Buffalo; Metropolitan Museum of Art, New York; Pennsylvania Acad- emy of the Fine Arts, Philadelphia; Museum of the Fine Arts, St. Louis; Museum of Art, Detroit; and in the Art Museum, Cincinnati: Gold Medals, American Art Association, New York, 1886 and 1887; Third Hallgarten Prize,

National Academy of Design, New York, 1887; Palmer Prize, Chicago In- terstate Exposition, 1889; Webb Prize, Society of American Artists, 1889; Medal of the first class, International Ex- position, Munich, 1892; Medal, Colum- bian Exposition, Chicago, 1893; First Prize, Cleveland Interstate Exposition, 1895; First Prize, Tennessee Centennial, 1897; Gold Medal, Carnegie Institute, 1898; Chronological Medal, Carnegie In- stitute, 1899; Gold Medal, Pan-American Exposition, Buffalo, 1901; Gold Medal, Universal Exposition, St. Louis, $904 279—Night* €

‘ 7

Twachtman, John H., born, Cincinnati, Ohio, 1853; died, Gloucester, Massachu- setts, 1902. Represented in the Carnegie Institute; Pennsylvania Academy of the Fine Arts, Philadelphia; Museum of

John H. Twachtman

Fine Arts, Boston; John Herron Art In- stitute, Indianapolis; and in the Museum of Arts, Cincinnati, Webb Prize, Soci- ety of American Artists, New York, 1888; Bronze Medal, Columbian Exposi- tion, Chicago, 1893; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, 1895; Silver Medal, Pan-American Ex- position, Buffalo, 190% 280—T he Pool*

Ullman, Eugéne Paul, Paris, France; born, New York. Associate of the So- ciété Nationale des Beaux-Arts, Paris; Society of American Painters, Paris. Represented in the Luxembourg, Paris. Bronze Medal, Universal Exposition, St. Louis, 1904; Medal of the first class, Or- leans, France, 1905; Second Prize, Wor- cester Art Museum, Massachusetts, 1905;

Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1906

283—Woman Sewing

Vaillant, Louis David, New York, New York; born, Cleveland, Ohio. Member of National Society of Mutal Painters, Municipal Art Society, and of the Architectural League, New York. Second Hallgarten Prize, National Acad- emy of Design, New York, 1910

282—Woodland Play*

Van der Veer, Mary, Amsterdam, New York; born, Amsterdam, New York. Member of the New York Water Color Club; Woman’s Art Club of New York; Fellowship of the Pennsylvania Acad-

emy of the Fine Arts, Philadelphia, Bronze Medal, Universal Exposition, St. Louis, 1904

283—The Lullaby

Van der Weyden, Harry, Paris, France; born, Boston, Massachusetts. Member of the Institute of Oil Painters, and of the Society of American Painters, Paris. Medal of the third class, Salon, Paris, 1891; Medal of the second class, Interna- tional Exposition, Antwerp, 1894; Gold Medal, Atlanta Exposition, 1895; Bronze Medal, Exposition Universelle, Paris, 1900; Medal of the second class, Interna- tional Exposition, Munich, 1904; Gold Medal, Vienna, 1902; Medal of the third class, Liege, 1905

284—In my Garden

Wagner, Fred, Philadelphia, Pennsylva- nia; born, Valley Forge, Pennsylvania. Member of the Philadelphia Sketch Club

285—The River Front

A. BRYAN WALL 286—The Willows

Wall, A. Bryan, Pittsburgh, Pennsylva- nia; born, Allegheny, Pennsylvania 286—The Willows

Watkins, Susan, New York, New York; born, California. Honorable Mention, Salon, Paris, 1899; Medal of the third class, Salon, Paris, 1904; Silver Medal, Universal Exposition, St. Louis, 1904; Julia A. Shaw, Memorial Prize, Na- tional Academy of Design, New York, 1940

287—Last Rays, Capri 288—Interior 289—The Quiet Room*

Waugh, Frederick J., Montclair Heights, New Jersey. Member of the Bristol Academy of Fine Arts, England; Asso- ciate of the National Academy of De- sign, New York. Represented in the

Walker Art Gallery, Liverpool; Durban Municipal Art Gallery, Natal, South Africa; National Gallery, Evans Collec- tion, Washington, D. C.; Metropolitan Museum, Hearn Collection, New York

290—The Outer Surf

Weir, J. Alden, New York, New York; born, West Point, New York. Member of the National Academy of Design and of the Ten American Painters, New York. Represented in the Metropolitan Museum of Art, New York; National Museum, Washington, D. C.3; Pennsyl- vania Academy of the Fine Arts, Phila- delphia. Honorable Mention, Salon, Paris, 1882; Silver and Bronze Medals, Exposition Universelle, Paris, 1889; Medal of the third class, Carnegie Insti- tute, 1897; Silver Medal, Exposition Universelle, Paris, 1900; Gold Medal, Pan-American Exposition, Buffalo, 1903;

J. Alden Weir

J. ALDEN WEIR 291—Pan and the Wolf: Landscape

Gold and Silver Medals, Universal Expo- sition, St. Louis, 1904; Inness Gold Medal, National Academy of Design, New York, 1906; Prize, Boston Art Club; Prize, American Art Association; Temple Gold Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1905; Lippincott Prize, Pennsylvania Academy of the Fine Arts, Philadelphia, 1910

29i—Pan and the Wolf: Landscape

292—Early Autumn in Connecticut

293—Flower Girl

Wendel, Theodore, Ipswich, Massachu- setts. Sesnan Medal, Pennsylvania Academy of the Fine Arts, Philadelphia, 1909

294—The Cove, Ipswich* 295—Sand Dunes*

Theodore Wendel

Wetherbee, George, London, England; born, Cincinnati, Ohio. Member of the Royal Institute of Oil Painters, and of the Royal British-Colonial Society of Artists, London. Represented in corpora- tion galleries in Manchester, Preston, Oldham, Cape Town, Cape Colony, and New Zealand. Honorable Mention, Paris, 1900; Silver Medal, St. Louis, 1904; Medal, Chicago

29>—A Morning Song

White, Henry C, ‘Hartford, Connecti- cut; born, Hartford. Member of the New York Water Color Club

297—Spring

Wiegand, Gustave, New York, New York; born, Bremen, Germany. Bronze Medal, St. Louis Exposition, 1904; Sec-

George Wetherbee

CHARLES H. WOODBURY 303—The Valley

a4 tent ce

oe ii

ond Hallgarten Prize, National Academy of Design, New York, 1905 298—The Crescent: Indian Summer 299—The Golden Carpet: Adirondacks

Wiles, Irving R, New York, New York; born, Utica, New York. Mem- ber of the National Academy of Design, and of the National Institute of Arts and Letters, New York. ‘Third Hallgarten Prize, National Academy of Design, 1886; Clarke Prize, National Academy of Design, 1889; Honorable Mention, Exposition Universelle, Paris, 1889; Bronze Medal, Columbian Exposition, Chicago, 1893; Gold Medal, Tennessee Centennial, Nashville, 1897; Shaw Fund

Irving R. Wiles

Prize, Society of American Artists, 1900; Bronze Medal, Exposition Univer- selle, Paris, 1900; Gold Medal, Pan- American Exposition, Buffalo, 1903; Gold Medal, Universal Exposition, St. Louis, 1904

300—Girl and Horse

Woodbury, Charles H., Boston, Massa- chusetts; born, Lynn, Massachusetts. Member of the National Academy of Design, New York. Represented in the Museum of Fine Arts, Boston; Worces- ter Art Museum; Berkshire Athenaeum, Pittsfield, Massachusetts. Gold Medal, Atlanta Exposition, 1895; Second Prize, Tennessee Centennial, Nashville, 1897; Bronze Medal, Exposition Universelle, Paris, 1900; Bronze Medal, Pan-Ameri-

Charles H. Woodbury

CHARLES MORRIS YOUNG

304—Farmhouse in Winter. Awarded Honorable Mention, Carnegie Institute, 1910

can Exposition, Buffalo, 1901; First Prize, Worcester Art Museum, 1903; Silver Medal, Universal Exposition, St. Louis, 1904; Honorable Mention, Car- negie Institute, 1905; Second Prize, Wor- cester Art Museum, 1907

30i3—The Valley*

302—Storm at Sea*

Yates, Cullen, New York, New York; born, Bryan, Ohio. Associate of the Na- tional Academy of Design, New York. Represented in the National Gallery, Washington; Brooklyn Institute of Arts and Sciences; Montclair Gallery; Seattle Gallery; Philadelphia Art Club. Bronze Medal, Universal Exposition, St. Louis, 1904

303—Upland Pasture

Cullen Yates

Young, Charles Morris, Jenkintown, Pennsylvania; born, Gettysburg, Penn- sylvania. Represented in the Albright Art Gallery, Buffalo; Pennsylvania Academy of the Fine Arts, Philadelphia; National Gallery, Budapest. Honorable Mention, Pan-American Exposition, Buffalo, 1901; Silver Medal, Charleston Exposition, 1902; Silver Medal, Univer- sal Exposition, St. Louis, 1904; Gold Medal, Art Club of Philadelphia, 1908

304—Farm House in Winter

Awarded Honorable Mention, Carnegie Institute, 7970

Charles Morris Young

CARNEGIE LIBRARY OF PIT’TSBURGH

A list of some of the best books and articles in the Library on the artists represented in this exhibition

Adams, W. Dacres International studio, 1906. v. 30, p. 127-134.

Alexander, John White

Critic, 1899. v. 85, p. 609-615.

Harper’s monthly, 1899. v. 99, p. 694-704.

House beautiful, 1904. v. 15, p. 67-74.

International studio, 1908. y. 34, sup. p. 85-97. Scribner’s magazine, 1899. vy. 25, p. 340-348. Studio, 1900. v. 20, p. 71-77.

World’s work, 1905. v. 9, p. 5682-5698, 5993-5994.

Allan, Robert W.

Caw. Scottish painting. 1908. p. 329-381. International studio, 1909. vy. 37, p. 89-100. Studio, 1901. v. 23, p. 229-237.

Beaux, Cecilia

Clement. Women in the fine arts. 1904. p. 35-38.

Hartmann. History of American art. 1902. vy. 1, p. 288- 296.

House beautiful, 1902. v. 11, p. 175-180.

Scribner’s magazine, 1897. v. 22, p. 477-485.

Studio, 1899. v. 17, p. 215-222,

Benson, Frank Weston

Brush and pencil, 1900. v. 6, p. 145-157. Harper’s monthly, 1909. v. 119, p. 105-114. International studio, 1908. v. 35, sup. p. 99-104.

Betts, Louis Sketch bock, 1906. v. 6, p. 171-180.

Blanche, Jacques Emile

Fortnightly review, 1906. vy. 85, p. 1106-1114. International studio, 1904. v. 21, p. 191-199.

Bogert, George H.

Academy notes, 1906. v. 1, p. 164. Artist, 1901. v. 30, sup. p. 19.

Boznanska, Olga de Clement. Women in the fine arts. 1904. p. 375.

Bramley, Frank Phythian. Fifty years of modern painting. 1908. p. 326- Sele Magazine of art, 1902. v. 27, p. 54-59. Scribner’s magazine, 1894. v. 15, p. 423-425.

Breckenridge, Hugh Henry

Academy notes, 1908. v. 8, p. 131, 150. International studio, 1909. v. 37, sup. p. 34-36.

Brush, George de Forest

Caffin. American masters of painting. 1902. p. 129-140.

Hartmann. History of American art. 1902. v. 1, p. 262- Dela

International studio, 1908. v. 84, sup. p. 47-56.

Bunce, William Gedney Century, 1900. v. 60, p. 635.

Caliga, Isaac Henry Robinson. Living New England artists. 1888. p. 29-36.

Cassatt, Mary

Cary. Artists, past and present. 1909. p. 25-37.

Isham. History of American painting. 1905. p. 411-412. Mauclair. French impressionists. p. 146-149.

Phythian. Fifty years of modern painting. 1908. raeiceks

206-207, 271.

Current literature, 1909. yv. 46, p.. 167-170.

International studio, 1905. vy. 27, sup. p. 1-7.

Scribner’s magazine, 1896. vy. 19, p. 353-361.

Chase, William Merritt

Benjamin. Our American artists. 1886. p. 59-72.

Hartmann. History of American art. 1902. vy. IDS ay VRIES 230, 294-296.

Isham. History of American painting. 1905. p. 383-384.

McSpadden. Famous painters of America. 1907. DP. B27- 354.

Harper’s monthly, 1889. v. 78, p. 549-557.

International studio, 1909. vy. 39, sup. p. 29-36.

Studio, 1900. v. 21, p. 151-158.

Clark, Alson Skinner Academy notes, 1909. v. 4, p. 194-195.

Claus, Emile

Dewhurst. Impressionist painting. 1904. p. 79-81.

Lemonnier. L’école belge de peinture, 1830-1905. 1906. p- 192-196.

Lemonnier. Smile Claus. 1908.

Taeye. Les artistes belges contemporains. 1894. p. 549- 561.

Artist, 1899. v. 25, p. 169-181. Studio, 1899. v. 17, p. 143-157.

Coman, Charlotte B.

American Art League. Essays on American art. 15-16.

Costa, John da

Magazine of art, 1898. v. 22, p. 845-348. Studio, 1894. v. 4, p. 84-87.

Cottet, Charles

Phythian. Fifty years of modern painting. 1908.

198. Art cet décoration, 1904. v. 15, p. 101-116. Brush and pencil, 1902. v. 11, p. 210-222. Magazine of art, 1902. v. 26, p. 481-487. Studio, 1899. v. 15, p. 227-241.

Crane, Bruce

American Art League. Essays on American art. 89-91. Brush and pencil, 1902. v. 11, p. 1-10.

Daingerfield, Elliott Monthly illustrator, 1895. v. 3, p. 177-182.

Davis, Charles H.

Hartmann. History of American art. 1902. v. 90.

Century, 1894. v. 48, p. 319.

New England magazine, 1902. v. 38, p. 423-437.

Dearth, Henry Golden

Academy notes, 1910. v. 5, p. 15. Century, 1905. v. 70, p. 157.

1896. p.

p. 197-

1896. p.

Do 0-

D’Espagnat, Georges

Art ef décoration, 1899. v. 6, p. 121-123. Art et déccration, 1904. v. 16, p. 57-60.

Dougherty, Paul

International studio, 1906. vy. 30, p. 180-182. International studio, 1908. vy. 36, sup. p. 3-11.

Dufner, Edward Academy notes, 1906. v. 2, p. 12.

Duveneck, Frank

Isham. History of American painting. 1905. p. 378-379.

Eakins, Thomas

Cafiin. Stery of American painting. 1907. p. 228-233. Hartmann. History of American art. 1902. vy. 1, p. 200- 207.

_ East, Alfred

East. Art of landscape painting in oil colour. 1906.

Phythian. Fifty years of modern painting. 1908. p. 348- 349.

International studio, 1905. y. 25, p. 124-1387. International studio, 1909. v. 38, sup. De. v2=7 6: Magazine of art, 1895. v. 18, p. 81-88. Magazine of art, 1904. v. 28, p. 381-384. Studio, 1896. v. 7, p. 133-142.

Emmet, Elfen G,

Century, 1909. v. 78, p. 155. Critic, 1906. y. 48, p. 333.

Enneking, John J.

Benjamin. Our American artists. 1886. p. 104-118. Robinson. Living New England artists. 1888. p. 59-65. Brush and pencil, 1902. v. 10, p. 335-345.

Fergusson, John Duncan

International studio, 1907. v. 31, p. 202-210.

Forbes, Stanhope A.

Birch. Stanhope A. Forbes and Elizabeth Stanhope Forbes. 1906.

Art journal, 1892. v. 44, p. 65-69.

Magazine of art, 1892. v. 15, p. 181-184.

Seribner’s magazine, 1894. v. 15, p. 688-691.

Studios, 1901. v. 23, p. 81-88.

Foster, Ben Artist, 1901. v. 29, sup. p. 20.

Frieseke, Frederick Carl Harper’s monthly, 1909. v. 118, p. 291.

Gilsoul, Victor

Burlington magazine, 1903. v. 3, p. 94-99.

Greiffenhagen, Maurice

Art journal, 1894. v. 46, p. 225-229. Artist, 1901. Vv; 82; p.. 57-64,

Book buyer, 1897. v.14, p. 148-152. Stndio, 1897. v. 9, p. 235-245.

Groll, Albert L. International studio, 1906. vy. 28, sup. p. 78-82. International studio, 1906. v. 29, p. 270-271. Guthrie, Sir James

Caw. Scottish painting. 1908. p. 365-370. Martin. Glasgow school of painting. 1897. p. 17-21.

Moore. Modern painting. 1900. p. 205-207,

Hamilton, John McLure Scribner’s magazine, 1900. v. 27, p. 738-7388.

Harrison, Alexander Child. Art and criticism. 1892. p. 109-1138.

Dewhurst. Impressionist painting. 1904. p. 92-94.

Hartmann. History of American art. 1902. v. 180.

Isham. History of American painting. 1905.

Muther. History of modern painting. 1907. v. 802.

Brush and pencil, i899. v. 4, p. 133-144.

Studio, 1598. v. 18, p. 248-250.

Harrison, Birge

Academy notes, 1909. v. 4, p. 1138-115. Scribner’s magazine, 1907. v. 42, p. 576-584.

Hassam, Childe

Gallatin. Whistler, notes and footnotes. 1907. Robinson. Living New England artists. 1888. Brush and pencil, 1901. v. 8, p. 141-150. House beautiful, 1908. v. 23, p. 19-20. International studio, 1906. v. 29, p. 267-270.

Hawthorne, Charles W.

Art interchange, 1904. v. 62, p. 138.

Brush and pencil, 1899. v. 4, p. 255-257. Brush and pencil, 1905. v. 15, p. 227-235. International studio, 1905. v. 26, p. 261-264. International studio, 1909. v. 37, sup. p. 65-68.

Henri, Robert

Hartmann. History of American art, 1902. v. 259.

2, p. 178-

p. 410-411.

4, p. 301-

p. 89-95. p. 101-106.

2, p. 256-

Critic, 1906. v. 49, p. 130-181.

International studio, 1906.

Hornel, E. A. Caw. Scottish painting.

v. 30, p. 182-183.

1908. p. 400-4038.

Martin. Glasgow school of painting. 1897. p. 380-33.

Academy notes, 1905. v. International studio, 1907.

Hurley, Edward Timothy

International studio, 1906.

Jeanniot, Pierre Georges

1, p. 102-103, 115-116. Viai82, p. 3-9%

y. 29, sup. p. 63-71.

Pennell. Pen drawing. 1894. p. 82.

Kampf, Arthur

Hundert meister der gegenwart. p.

75.

Pietsch. Contemporary German art. 1888. v. 1, p. 70-71.

Kendall, William Sergeant

Century, 1895. v. 50, p. Harper’s monthly, 1908.

Koehler, Robert Brush and pencil, 1901.

478. Vemilell ae Dae O On Diits

v. 9, p. 144-153.

La Thangue, Henry Herbert

Art journal, 1893. v. 45, Magazine of art, 1904. v. Studio, 1896. v. 9, p, 16

La Touche, Gaston

Art et décoration, 1908. Art et décoration, 1908. International studio, 1904. Tnternational studio, 1908.

p. 169-175. 28, p. 1-7, 3-177,

Vy. 28, p. 177-182, Vv. 243 pe St=S8;, v. 22, p. 281-287, v. 84, p, 265-278.

Magazine of art, 1904. vy. 28, p. 253-259. Studio, 1899. v. 16, p. 77-90.

Le Sidaner, Henri Eugene

Dewhurst. Impressionist painting. 1904. p. 81-83.

Art et déccration, 1908. vy. 13, p. 119-125.

Art journal, 1904. v. 56, p. 59-64.

Art journal, 1906. v. 58, p. 145-146.

Gazette des beaux-arts, 1909. v. 105 (ser. a5 Ve. 2), pol ote 134.

Studio, 1901. v. 24, p. 30-36.

Lindner, Moffat P.

International studio, 1904. vy. 28, p. 185-191.

Lockwood, Wilton

International studio, 1907. v. 32, p. 262-268. Scribner’s magazine, 1898. v. 28, p. 178-184.

Loiseau, Gustave Academy notes, 1907, 1908.. v. 3, p. 118, 145-146.

Lorimer, J. H.

Caw. Scottish painting. 1908. p. 420-423. Art journal, 1895. vv. 47, p. 321-324. Artist, 1899. v. 25, p. 113-124.

Mann, Harrington

Academy notes, 1908. v. 8, p. 161-162. Century, 19C8. v. 75, p. 800-801. Studio, 1908. vy, 29, p. 118.

Maufra, Maxime

Dewhurst. Impressionist painting. 1904. p. 61-64.

Phythian. Fifty years of modern painting, 1908, p, 207. 208.

Academy notes, 1907. v. 8, p. 109-110,

Melchers, Gari

Brinton. Modern artists. 1908. p. 211-225.

Caffin. Story of American painting. 1907. p. 344-355. Harper’s monthly, 1907. v. 114, p. 430-439. International studio, 1907. v. 31, sup. p. 11-18. Magazine of art, 1900. v. 24, p. 145-151.

World’s work, 1908. v. 15, p. 10092-10105.

Mesdag, Hendrik Willem

Muther. History of modern painting. 1907. v. 4, p. 101- 102.

Rooses. Dutch painters of the nineteenth century. 1899. v. 2, p. 35-58.

Zilcken. H. W. Mesdag. 1896.

Art journal, 18938. v. 45, p. 48-53.

Brush and pencil, 1903. v. 11, p. 321-335.

Magazine of art, 1898. v. 22, p. 73-79.

Metcalf, Willard L.

Book buyer, 1894. v. 11, p. 120-122. Booklovers magazine, 1905. v. 6, p. 499-511. Quarterly illustrator, 1895. v. 3, p. 93-96.

Monet, Claude

Brownell. French art. 1901. p. 104-115.

Dewhurst. Impressionist painting. 1904. p. 37-48.

Duret. Manet and the French impressionists. 1910. p. 137-150.

Mauclair. French impressionists. p. 98-114.

Meier-Graefe. Modern art. 1908. v. 1, p. 301-307.

Phythian. Fifty years of modern painting. 1908. p. 80- 96.

Brush and pencil, 1905. v. 15, p. 181-195.

Contemporary review, 1907. v. 91, p. 100-104.

International studio. 1908. v. 84, p. 89-106.

Pall Mall magazine, 1900. v. 21, p. 209-224.

Mortrice, James Wilson

Canadian magazine, 1907. v. 28, p. 219-221. Canadian magazine, 1909. v. 34, p. 169-176.

Murphy, Hermann Dudley

Brush and pencil, 1899. v. 5, p. 49-57. Sketch book, 1907. v. 6, p. 303-306.

Murphy, J. Francis Brush and pencil, 1902. v. 10, p. 205-218.

Neuhuys, Albert

Mattos. Dutch art in the nineteenth century. 1909. p. 133-134.

Rooses. Dutch painters of the nineteenth century. v. 2, p. 19-32.

Nicholson, William

Nicholson. Characters of romance. 1900. Art amateur, 1900. v. 43, p. 34. Art et déccration, 1900. v. 7, p. 90-96.

Ochtman, Leonard Brush and pencil, 1901. v. 9, p. 65-74.

Olsson, Julius International studio, 1910. v. 39, p. 274-288.

Park, Stuart

Caw. Scottish painting. 1908. p. 449-450. Martin. Glasgow school of painting. 1897. p. 51-52.

Pearce, Charles Sprague Child. Art and criticism. 1892. p. 126-129. Rummell & Berlin. Aims and ideals of representative Ameri- can painters. 1901. p. 78-80. Magazine o; art, 1898. v. 16, p. 168.

Pissarro, Camille

Dewhurst. Impressionist painting. 1904. p. 49-51.

Duret. Manet .and the French impressionists. 1910. p. 126-136.

Mauclair. French impressionists. p. 132-136.

Muther. History of modern painting. 1907. v. 3, p. 1388-

143. Phythian. Fifty years of modern painting. 1908. p. 79- 80, 96-99.

Brush and pencil, 1904. v. 18, p. 411-427. International studio, 1908. v. 21, p. 59-63.

Poore, Henry Rankin International studio, 1909. v. 37, sup. p. 20-24.

Pryde, James Caw. Scottish painting. 1908. p. 448-449.

Idler, 1896. v. 8, 519-528. Studio, 1901. v. 23, p. 101-106.

Ranger, Henry Ward

Brush and pencil, 1905. v. 16, p. 39-44. International studio, 1906. v. 29, sup. p. 33-44.

Redfield, Edward Willis Country life in America, 1907. v. 13, p. 194-197.

Reid, Robert

Hartmann. History of American art. 1902. v. 2, p. 281- 232, 248-251.

Reid. In summertime; paintings by Robert Reid, with an introduction by Royal Cortissoz, 1900.

Artist, 1900. v, 28, p. 45-46.

Booklevers magazine, 1905. v. 6, p. 788-750.

Craftsman, 1905. v. 7, p. 699-712.

Jnternational studio, 1909, v, 86, sup. p. 118-122,

Renoir, Pierre Auguste

Dewhurst. Impressionist painting. 1904. p. 51-53.

Duret. Manet and the French impressionists. 1910. p. 159-169.

Mauclair. French impressionists. p. 115-131.

Mauclair. The great French painters. 1903. p. 111-115.

Meitr-Graefe. Modern art. 1908. v. 1, p. 287-296.

Muther. History of modern painting. 1907. v. 3, Shed ES 138.

Phythian. Fifty years of modern painting. 1908. p. 102- 106.

Riviere, Briton

Armstrong. Briton Riviere; his life and work. 1891.

Meynell. Some modern artists. 1883. p. 141-147.

Muther. History of modern painting. 1907. v. 3, p. 355- 359.

Magazine of art, 1903. v. 27, p. 313-320.

Portfolio, 1892. v. 23, p. 61-66, 77-83.

Studio, 1895. v. 5, p. 124-128.

Sargent, John Singer

Bell. Representative painters of the nineteenth century. 1899. p. 57-60.

Brinton. Modern artists. 1908. p. 155-169.

Caffin. American masters of painting. 1902. p. 55-67.

Cox. Old masters and new. 1905. p. 255-265.

Downes. Twelve great artists. 1900. p. 165-172.

Hartmann. History of American art. 1902. v. 2, p. 218- 222,

Isham. History of American painting. 1905. p. 428-438, 548-549.

McSpadden. Famous painters of America. 1907. p. 273- 299.

Muther. History of modern paintiing. 1907. v. 4, p. 304- 308.

Phythian. Fifty years of modern painting. 1908. p. 875- 380. :

Sargent. Work of John S, Sargent, R.A., with an introduc:

tory note by Mrs. Meynell. 1908. Century, 1896, v. 52, p. 163-178. Harper’s monthly, 1887. v. 75, p. 683-691, Independent, 1899. v. 51, p. 1140-1142, Magazine of art, 1899. v. 23, p. 112-119. Scribner’s magazine, 1908. v. 84, p. 515-532. Studio, 1900. v. 19, p. 8-21, 107-119. World’s work, 1903. v. 7, p. 4099-4118.

Shannon, Charles H,

Phythian. Fifty years of modern painting. 1908. p. 311-

312. Art-journal, 1902. v. 54, p. 43-46. Athenaeum, 1901. v. 117, p. 376-377. International studio, 1904. v. 24, p. 26-34.

Simon, Lucien

Art et décoration, 1906. v.19, p. 25-37. Harper’s monthly, 1910. v. 120, p. 236-244. Magazine of art, 1902. v. 26, p. 544-549.

Sisley, Alfred

Dewhurst. Impressionist painting. 1904. p. 53-54.

Duret. Manet and the French impressionists. 1910. 151-158.

Mauclair. French impressionists. p. 136-140.

Modre. Modern painting. 1900. p. 85-88.

Phythian. Fifty years of modern painting. 1908. p. 109.

Sorolla y Bastida, Joaquin Cary. Artists, past and present. 1909. p. 166-170.

Tlispanie Society of America. Catalogue of paintings by

Joaquin Sorolla y Bastida. 1909.

Hispanic Society of America. Eight essays on Joaquia So-

rolla y Bastida. 2 v. 1909.

St. James’s Gallery Company. Sorolla exhibition at the Grafton Galleries, 1908, with essay on [his] art by

Leonard Williams. 1908.

Academy notes, 1909. v. 4, p. 182-190.

Art et déccration, 1906. v. 20, p. 105-117. Century, 1909. v. 78, p. 26-35.

International studio, 1904. v. 22, p. 242-249. International studio, 1906. v. 29, p. 26-34. International studio, 1909. v. 37, sup. p. 3-12. ~ Outlook, 1902. v. 71, p. 19-26.

Seribner’s magazine, 1907. v. 42, p. 417-432. World to-day, 1909. v. 16, p. 414-420.

Steer, P. Wilson

Moore. Modern painting. 1900. p. 198-204, 238-243. Phythian. Fifty years of modern painting. 1908. p. 372- 373.

Stevenson, R. Macaulay

Caw. Scottish painting. 1908. p. 385-386. Martin. Glasgow school of painting. 1897. p. 62-64. Studio, 1901. v. 22, p. 282-242.

Tanner, Henry Ossawa

Brush and pencil, 1900. v. 6, p. 97-107.

Cosmopolitan, 1900. v. 29, p. 18-20.

Current literature, 1908. vy. 45, p. 405-408.

Outlook, 1900. v. 64, p. 7938-796.

World’s work, 1909. v. 18, p. 11661-11666, 11769-11775.

Thayer, Abbott Henderson

Bell. Repregentative painters of the nineteenth century. 1899. p. 538-56.

Hartmann. History of American art. 1902. v. ey oF ee py Ee 276.

Cosmopolitan, i902. v. 32, p. 594-596.

House beautiful, 1902. v. 13, p. 8-9.

International studio, 1908. vy. 83, sup. p. 81-87.

Tito, Ettore

Willard. History of modern Italian art. 1900. p. 692- 694. International studio, 1906. v. 27, p. 307-316.

Tryon, Dwight William

Caftin. American masters of painting. 1902. p. 155-167.

Hartmann. History of American art, 1902. v. 1, p. 127- 136s

Harper’s monthly, 1895. v. 91, p. 170-174.

Twachtman, John H.

Caffin. Story of American painting. 1907. p. 278-284. Brush and pencil, 1903. v. 12, p. 243-246. North American review, 1908. v. 176, p. 554-562.

Weir, J. Alden

Hartmann. History of American art. 1902. v. 2, p. 246- 248.

Burlington magazine, 1909. v. 15, p. 131-132.

Century, 1899. v. 57, p. 956-957.

Cosmopolitan, 1902. v. 82, p. 596-598.

Harper’s monthly, 1907. v. 114, p. 286-287.

Wetherbee, George Magazine of art, 1903. v. 27, p. 105-110.

Wiles, Irving R.

Book buyer, 1894. vy. 11, p. 387-390. Century, 1897. v. 54, p. 799. Harper’s monthly, 1904. v. 109, p. 802.

Woodbury, Charles H. Brush and pencil, 1900. v. 6, p. 1-12.

Young, Charles Morris Academy notes, 1907. v. 2, p. 177-179.

INDEX TO ARTISTS REPRESENTED IN THE EXHIBITION OF OIL PAINTINGS

The number following the name refers to the . painting in the catalogue, and the letter following the number indicates the gallery in which the painting is exhibited

Adams, W. Dacres, J, N Alexander, John W., 2, 3, M Allan, Robert W., 4, O; 5, K Anderson, Karl, 6, M

André, Albert, 7, M

Bail, Joseph, 8, N

Beal, Gifford, 9, IN

Beaux, Cecilia, 10, N; JJ, M Becker, Benno, 12, J

Bellows, George, 13, N; 14, I Benson, Frank W., 15, K; 16, Betts, Louis, 17, N; 18, M Bittinger, Charles, 19, I Blackstone, Harriet, 20, I Blanche, Jacques Emile, 21, M Blumenschein, Ernest L., 22, 23, I Bogert, George H., 24, M; 25, N Borchardt, Hans, 26, K

Borie, Adolphe, 27, N Boznanska, Olga de, 28, M; 29, J Bramley, Frank, 30, M Breckenridge, Hugh H,, 3, I

Brown, T. Austen, 32, O Brush, George de Forest, 33, N Bunce, William Gedney, 34, O Caliga, I. H., 35, K; 36, O Caputo, Ulisse, 37, 38, N Carlsen, Emil, 39, O; 40, N Cassatt, Mary, 43, M; 42, K Chase, William M., 43, M; 44, M; 45, N; 46, M

Chimona, Nicolaus, 47, 48, O Chudant, Adolphe, 49, O Ciardi, Beppe, 50, I

Clark, Alson S., 53, I Clarkson, Ralph, 52, O Clarenbach, Max, 53, K Claus, Emil, 54, N

Coman, Charlotte B., 55, I Cope, A. S., 56, N

Costa, John da, 57, M

Cottet, Charles, 58, MI; 59, K Crane, Bruce, 60, N Daingerfield, Elliott, 61, N Dauchez, André, 62, N

Davis, Charles H., 63, 64, M Davol, Joseph Benjamin, 65, I Dearth, Henry Golden, 66, N D’Espagnat, Georges, 67, M Dessat, Louis Paul, 68, N

De Voll, F. Usher, 69, I Dougherty, Paul, 70, N Dufnetr, Edward, 71, N ’ Duveneck, Frank, 72, M

East, Alfred, 73, K; 74, M; 75, N

Eakins, Thomas, 76, M

Ebert, Charles, 77, 78, I

Emmet, Effen G., 79, I

Enneking, John J., 80, I

Fechin, Nicholas, 81, N; 82, J

Fergusson, John Duncan, 83, 84,

Forbes, Stanhope A., 85, N

Foster, Ben, 86, M

Franzen, August, 87, I

Frieseke, Frederick C., 88, M

Fursman, Frederick Frary, 89, N

Garber, Daniel, 90, N; 91, M

Genth, Lillian M., 92, O; 93, N

Gilchrist, W. W., Jr, 94, J

Gilsoul, Victor, 95, N

Gorson, A. H., 96, I

Granville-Smith, W., 97, I

Grassel, Franz, 98, O

Greiffenhagen, Maurice, 99, M; 100, J

Groll, Albert L., 105, I

Guiguet, Francoise, 102, I

Guthrie, Sir James, 103, M

Hacke, Ida, 104, I

Hailman, Johanna K., 105, I

Halford, C. H., 106, N

Hamilton, J. McLure, 107, J; 108, O

Harrison, Alexander, 109, N; 110, J

Harrison, Birge, 114, 112, I

Hassam, Childe, 113, 114, 115, 116, 117, 118, 139, 120, 12%, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, L

Hawthorne, Charles W., 153, N Heider, Hans, 152, N

Henri, Robert, 153, 154, N Hildebrandt, H. L., 155, I Hopkinson, Charles, 156, I Hornel, E, A., 157, N

How, Beatrice, 158, J; 159, K Hughes-Stanton, H., 160, I; 163, J Hurley, Edward Timothy, 162, I Huys, Modest, 163, 164, J Jeanniot, G., 165, K

John, Augustus, 166, N

Kampf, Arthur, 167, O; 168, K Keller, H. G., 169, I

Kendall, Sergeant, 170, M; 173, O Knight, Laura, 172, O

Koehler, Robert, 173, I

Krijitzki, Constantin, 74, O Langley, Walter, 175, I

La Thangue, H. H., 176, O

La Touche, Gaston, 77, N; 178, O Leader, B. Eastlake, 179, O Leigh, W. R., 180, I

Lerolle, Henry, 181, O

Le Sidaner, Henri, 182, M; 183, M Lever, Hayley, 184, N

Lindner, Moffat, 185, K

Little, Philip, 186, I

Lockwood, Wilton, 187, J; 188, K Loiseau, Gustave, 189, M Lomont, Eugéne, 190, K Lorimer, John Henry, 194, O MacCameron, Robert, 192, N

Mann, Harrington, 193, 194, N Maufra, Maxime, 195, M Melchers, Gari, 196, M

Mesdag, Hendrik Willem, 197, O; 198, N Metcalf, Willard L., 199, M; 200, K; 201, M Meyner, Walter, 202, I

Miller, R. E., 203, N

Molarsky, Morris, 204, I

Monet, Claude, 205, M; 206, N Moret, Henry, 207, M

Mortrice, James W., 208, M Mvuhrman, Henry, 209, N; 210, I Muirhead, John, 211, O; 212, J Murphy, Hermann Dudley, 213, I Murphy, J. Francis, 214, M Neuhuys, Albert, 215, M

Nichols, Hobart, 216, I

Nicholson, William, 217, O

Nissl, Rudolf, 218, J

Ochtman, Leonard, 219, N; 220, M Olsson, Julius, 221, M Oppenheimer, Joseph, 222, M Orpen, William, 223, M

Park, Stuart, 224, J

Parshall, De Witt, 225, I

Pearce, Charles Sprague, 226, K Pearce, Edgar, 227, I

Pissarro, Camille, 228, M

Poore, Henry R., 229, M Priestman, Arnold, 230, O

Pryde, James, 231, J

Ranger, Henry W., 232, M Redfield, Edward W., 233, M; 234, N

Reid, Robert, 235, O

Renoit, Pierre Auguste, 236, K Riviere, Briton, 237, O

Robinson, William S., 238, N Rook, Edward F., 239, N

Rosen, Charles, 240, 244, I

Roth, Ernest David, 242, 243, I Sandor, Mathias, 244, J

Sargent, John S., 245, M; 246, N Schofield, W. Elmer, 247, 248, M Schramm-Zittau, Rudolf, 249, N; 250, K Schwartz, Andrew T., 253, O; 252, N Sewell, Robert V. V., 253, I Shannon, Charles, 254, N

Shannon, J. J., 255,

Simon, Lucien, 256, N

Sisley, Alfred, 257, MI

Sorolla y Bastida, Joaquin, 258, M Sotter, George W., 259, 260, I Spencer, Robert, 264, MI; 262, I Steer, P. Wilson, 263, M

Stehlin, Caroline, 264, I

Streeton, Arthur, 265, N Stevenson, R. Macaulay, 266, N Stoddard, Alice Kent, 267, I Symons, George Gardner, 268, O; 269, N Tanner, Henry O., 270, M; 273, O Taylor, Charles J., 272, I

Thayer, Abbott H., 273, M Thomason, Frances Q., 274, 275, I Thompson, Leslie, P., 276, I

Tito, Ettore, 277, J; 278, M Tryon, D. W., 279, M

Twachtman, John H., 280, M Ullman, Eugene Paul, 281, I Vaillant, Louis David, 282, M Vander Veer, Mary, 283, I

Van Der Weyden, Harry, 284, M Wagner, Fred, 285, I

Wall, A. Bryan, 286, I

Watkins, Susan, 287, I; 288, N; 289, I Waugh, Frederick J., 290, N

Weir, J. Alden, 291, 292, M; 293, M Wendel, Theodore, 294, J; 295, O Wetherbee, George, 296, N

White, Henry C., 297, N

Wiegand, Gustave, 298, 299, I

Wiles, Irving R., 300, N

Woodbury, Charles H., 301, M; 302, N Yates, Cullen, 303, I

Young, Charles Morris, 304, M

wut et ! [aout